Miguelángel Clerc Parada

Miguelángel Clerc Parada (Chile, 1979) is a composer, guitarist, and researcher. He has composed music for dance productions, theatre, installations, ensembles, and soloists, in artistic venues in Europe, Asia, and the Americas. He has participated as a speaker at workshops, conferences, and seminars in Chile, England, the Netherlands, and Belgium. Clerc holds a master’s degree in music composi...

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info & contact

affiliation

Independent artist-researcher, The Hague, NL

email

miclerc [AT] gmail.com

web

mclerc.com

presentations

From Painting to Sound: Musical Reflections on Deleuze’s Francis Bacon: The Logic of Sensation
(in DARE 2015: the dark precursor )
keywords: de/re-territorialisation, figure, Francis Bacon: The Logic of Sensation, Jean-Luc Nancy

Marcel Cobussen

Marcel Cobussen wanted to become a professional soccer player. He did not succeed. Too bad. Now he is both a musician and a philosopher. He studied jazz piano at the Conservatory of Rotterdam and art and cultural studies at Erasmus University Rotterdam (the Netherlands). He teaches music philosophy, sound studies, and artistic research at Leiden University (the Netherlands) and the Orpheus Institu...

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info & contact

affiliation

Leiden University, NL

email

M.A.Cobussen [AT] umail.leidenuniv.nl

web

cobussen.com
Some Notes on Artistic Research
Deconstruction in Music

presentations

Towards a Sonic Materialism
(in DARE 2015: the dark precursor )
keywords: material/ism, sound studies

Guillaume Collett

Guillaume Collett is Research Fellow in the Centre for Critical Thought, University of Kent, where he received his PhD on Deleuze’s ontology of sense. He is the author of The Psychoanalysis of Sense: Deleuze and the Lacanian School (Edinburgh UP, 2016), and co-editor of “Deleuze and Philosophical Practice,” Deleuze Studies (2013), as well as chapters and articles on and translations of Frenc...

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info & contact

affiliation

University of Kent, Canterbury, UK

email

guillaume.collett [AT] hotmail.co.uk

presentations

Dialogue I: Schizoanalysis for Artistic Research and Vice Versa
(in DARE 2017: aberrant nuptials )
keywords: artistic research, Sigmund Freud

Logic of Sens/ation: Two Conflicting Conceptions of Transdisciplinarity in Deleuze and Guattari
(in DARE 2017: aberrant nuptials )
keywords: Félix Guattari, plane of composition, plane of immanence, transdisciplinarity

Rogério Costa

Rogério Luiz Moraes Costa, professor, composer, saxophonist, and researcher, Prof. Costa has worked at the music department of the University of São Paulo since 2002. Leading artists in Brazil and Europe such as the groups Abstray and Música Viva in Rio, Camerata Aberta in São Paulo, and the Pierrot Lunaire Ensemble in Vienna have played his compositions. His extensive academic output includes...

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info & contact

affiliation

University of São Paulo, BR

email

rogercos [AT] usp.br

web

rogeriocosta.mus.br
usp-br.academia.edu

presentations

Sonic Nuptials. Composition and Improvisation in a Double Capture: Refrain and Processes of Territorialization
(in DARE 2017: aberrant nuptials )
keywords: de/re-territorialisation, double capture, improvisation