Richard Craig

Richard Craig is a flautist specialising in contemporary music. His performances with groups such as ELISION, Musikfabrik, Klangforum Wien, and Das Experimentalstudio ensemble, have taken him to international festivals such as Maerzmusik Berlin, Wittener Tage für Neue Musik, and the Venice Biennale. He has given recitals throughout the world performing new work and presenting his collaborations....

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info & contact

affiliation

Middlesex University, London, UK

email

kungflute [AT] gmail.com

web

richardcraig.net

presentations

The Emergence of the Interpreter in the Preparation and Performance of Unity Capsule for Solo Flute by Brian Ferneyhough
(in DARE 2015: the dark precursor )
keywords: Brian Ferneyhough, emergence, flute, Gilles Deleuze from A to Z, notation

Pascale Criton

Pascale Criton studied composition with Ivan Wyschnegradsky, Gérard Grisey, and Jean-Etienne Marie. She earned a PhD in musicology (1999) and undertook a musical computing course for composers at IRCAM (Paris) in 1986. Her works explore sound variability, ultrachromatism, multi-sensoral receptions, and the spatialisation of listening. Artistic director of Art&Fact, she initiates concerts comb...

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info & contact

affiliation

Pierre et Marie Curie University, Paris, FR

email

pcriton [AT] club-internet.fr

web

pascalecriton.com

presentations

Compositions by Pascale Criton and Clara Maïda
(in DARE 2015: the dark precursor )
keywords: Clara Maïda, Deborah Walker, Pascale Criton

Dialogue III: On Music or The Combat of Chronos and Aion
(in DARE 2015: the dark precursor )
keywords: aion, chronos, Pierre Boulez, singularity

Variables, Diagrams, Process
(in DARE 2015: the dark precursor )
keywords: cello, Deborah Walker, Eric Alliez, individuation, Peter Pál Pelbart, smooth/striated, Two Regimes of Madness

Sean Crossley

Sean Crossley is an Australian artist living and working in Brussels. His practice focuses on complexities found around the image, subject, and language. Prioritising the associative possibilities of images above their autonomy, he has used models such as theatre, industry, and alchemy to displace and reconceptualise language, expression, and abstraction. Primarily, he is interested in non-hierarc...

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info & contact

affiliation

Independent artist, Brussels, BE

email

contact [AT] seancrossley.com

web

seancrossley.com

presentations

The Poison Garden: A Sorcery Handbook
(in DARE 2015: the dark precursor )
keywords: A Thousand Plateaus, Alain Badiou, sorcerer, writing