Pieter-Jan Decoster

Pieter-Jan Decoster is a PhD student at Ghent University. He currently works as an assistant and researcher at the Department of Educational Studies. His research focuses on the French philosopher Gilles Deleuze and the relevance of contemporary education in relation to digital screen culture....

read more

info & contact

affiliation

Ghent University, B

email

pieterjan.decoster [AT] gmail.com

presentations

Making the Digital Spiritual: A Research Experiment in Art Education
(in DARE 2015: the dark precursor )
keywords: Cinema 2, education, film, subject

Elena del Río

Elena del Río is Associate Professor of Film Studies at the University of Alberta, Canada. Her essays on the intersections between cinema and philosophies of the body in the areas of technology, performance, and affect have been featured in journals such as Camera Obscura, Discourse, Science Fiction Studies, Studies in French Cinema, Quarterly Review of Fil...

read more

info & contact

affiliation

University of Alberta, CA

email

elena.delrio [AT] ualberta.ca

web

ualberta.ca

presentations

Digital Folds, or Cinema’s Automated Brain
(in DARE 2015: the dark precursor )
keywords: Alfred Hitchcock, algorithm, film, modulation, Orson Wells

Beau Deurwaarder

Beau Deurwaarder is an Australian philosopher attracted to occulture, non-knowledge and schizoanalytic strategies. His work is inspired by the thought of Gilles Deleuze, Alain Badiou, Isabelle Stengers, and Georges Bataille. Beau hosted a solo exhibition in Melbourne last year, in which his work rewrote A Thousand Plateaus into exactly one thousand sentences. He also presented aesthetic r...

read more

info & contact

affiliation

University of Melbourne, AU

email

beauanthonyd [AT] gmail.com

presentations

The Poison Garden: A Sorcery Handbook
(in DARE 2015: the dark precursor )
keywords: A Thousand Plateaus, Alain Badiou, sorcerer, writing

Benoît Dillet

Benoît Dillet is a Teaching Fellow in French politics at the University of Bath (UK). He is the coauthor of The Political Space of Art (Rowman & Littlefield, 2016), the co-editor of The Edinburgh Companion to Poststructuralism (Edinburgh University Press, 2013) and Technologiques: La Pharmacie de Bernard Stiegler (Cécile Default, 2013), and the translator of Bernard Stiegler’s Philosophisi...

read more

info & contact

affiliation

University of Bath, UK

email

benoit [AT] dillet.net

presentations

The Imperceptible and Anti-Aesthetics: Deleuze’s Response to Phenomenology
(in DARE 2017: aberrant nuptials )
keywords: aesthetics, becoming-imperceptible