Hubert Gendron-Blais

Hubert Gendron-Blais est auteur, musicien et chercheur. Outre ses publications littéraires (poésie, nouvelles) et universitaires (Scènes contemporaines, Les Cahiers d’histoire, Inflexions, etc.), il a contribué activement aux ouvrages collectifs On s’en câlisse. Histoire profane de la grève. Québec. 2012 (Sabotart et Entremonde, 2013) et traces—déprises (2014). Détenteur d’une ma�...

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info & contact

affiliation

Senselab, Concordia University, Montréal, CA

email

h_gendro [AT] liveconcordia.onmicrosoft.com

presentations

The Struggle Hears and Plays All That We Forget Is Still Happening
(in DARE 2015: the dark precursor )
keywords: capture, cello, guitar, live electronics, politics

Verina Gfader

Verina Gfader is an artist and Postdoctoral Fellow at The Contemporary Condition, Aarhus University. Beyond academic work she is Creative Director for EP, a new book series across art, architecture, and design from Sternberg Press, Berlin; she is currently researching for the second volume, Design Fiction. Her postdoctoral research, after studies in visual media, photography, and fine art...

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info & contact

affiliation

Aarhus University, DK

email

verinagfader [AT] cc.au.dk

web

pure.au.dk

 

presentations

More Brilliant Than the Past
(in )
keywords: archive, fabulation, minor, politics

Hollywood Flatlands: Taking a Line for a Walk
(in DARE 2015: the dark precursor )
keywords: cartoon, Maurizio Lazzarato, plasmaticity, plasmaticness, Sergei Eisenstein

Pouya Gholami

Pouya Gholami is an Iranian translator, writer, and experimental filmmaker who lives in Tehran. Working freelance he has co-translated and co-written several books and essays in post-Nietzschean and autonomist style, some of which have been published, while most have not yet obtained permission. He also works in the fields of women’s studies, gender studies, and sexuality, which are banned by t...

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info & contact

affiliation

Iranian translator, writer, and experimental filmmaker, Tehran, IR

email

asab [AT] asabsanj.com

web

asabsanj.com

presentations

Two Shorts
(in DARE 2015: the dark precursor )
keywords: conjuntion, film, Georges Bataille, plane of composition, William Burroughs

Lindsay Gianoukas

Lindsay Gianoukas, stage name of Ms. Lindsay T. Gianuca (1983, Southampton, UK), is an actress and dancer who works in theatre, cinema, advertising, and television in Brazil. As a dancer, she performs in contemporary dance and tap. She graduated in social communication and journalism (PUCRS), has a predilection for the writing, and has never stopped working and investigating in the field of the ar...

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info & contact

affiliation

Universidade Federal do Rio Grande do Sul, BR

email

lindsaygianoukas [AT] gmail.com

web

lattes.cnpq.br

presentations

Space and Sensation: Zoé Degani’s Art of Pluralising Signs Onstage
(in DARE 2015: the dark precursor )
keywords: affect, athleticism, performance art, Zoé Degani

The Minor Actor: The Composing Plane of Performative Bodies
(in DARE 2017: aberrant nuptials )
keywords: minor, plane of composition