Joel Mason

Joel Mason is a writer, sound artist, and playmaker. He writes on arts-based research and social theories of whiteness and blackness; he creates interactive dramatic events involving circus, affect, whiteness, blackness, improvisation, sociality, music, and the political deployments of human voices. He is a research assistant at the SenseLab in Montréal, a philosophical movement laboratory founde...

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info & contact

affiliation

Senselab, Concordia University, Montréal, CA

email

joelelliotmason [AT] gmail.com

presentations

The Struggle Hears and Plays All That We Forget Is Still Happening
(in DARE 2015: the dark precursor )
keywords: capture, cello, guitar, live electronics, politics

Frédéric Mathevet

Frédéric Mathevet defines himself as a visual artist and composer. He is an associate researcher at ACTE (UMR 8218) in Paris I (CARS). Doctor of Arts, he is co-editor-in-chief of the online magazine L’Autre Musique and of the laboratory of the same name, which interweaves researchers and practitioners in a liberated creative act. He has published two handbooks on visual art, the s...

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info & contact

affiliation

Université Paris 1, FR

email

mathevetf [AT] wanadoo.fr

web

institut-acte.cnrs.fr
elcordonnier.lautremusique.net

presentations

Vincent Meelberg

Vincent Meelberg is a senior lecturer and researcher at the Department of Cultural Studies at Radboud University Nijmegen, the Netherlands and at the Academy for Creative and Performing Arts in Leiden and The Hague. He studied double bass at the Conservatoire of Rotterdam and received his MA both in musicology and in philosophy at Utrecht University. He wrote his dissertation on the relation betwe...

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info & contact

affiliation

Radboud University Nijmegen, NL, and Academy of Creative and Performing Arts, Leiden and The Hague, NL

email

v.meelberg [AT] let.ru.nl

web

radboud.academia.edu
soundcloud.com

presentations

Perform Now! Musical Performance as Affective, Disruptive Practice
(in DARE 2015: the dark precursor )
keywords: encounter, ethics, Heinrich von Kleist, improvisation, music performance

Jan Michiels

Jan Michiels (b. 1966) is Professor of Piano at the Royal Conservatoire Brussels, where he also leads the class on contemporary music. He studied with Hans Leygraf at the Hochschule der Künste in Berlin, where he was awarded an exceptional distinction for his interpretations of Bartók’s Second Piano Concerto and Ligeti’s Etudes. A laureate in several international competitions (including the...

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info & contact

affiliation

Royal Conservatoire of Brussels, BE

email

jan_inge [AT] telenet.be

web

michielsjan.be

presentations

Compositions by Olivier Messiaen and Luigi Nono
(in DARE 2015: the dark precursor )
keywords: Luigi Nono, Olivier Messiaen

Compositions by Pascale Criton and Clara Maïda
(in DARE 2015: the dark precursor )
keywords: Clara Maïda, Deborah Walker, Pascale Criton