Antonia Pont

Antonia Pont is Senior Lecturer in Writing and Literature at Deakin University. She publishes poetry, short stories, and theoretical prose....

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info & contact

affiliation

Deakin University, Melbourne, AU

email

a.pont [AT] deakin.edu.au

presentations

Listening for a New Body: Thinking Change and Learning Reason with Difference and Repetition and Spinoza: Practical Philosophy
(in DARE 2017: aberrant nuptials )
keywords: Difference and Repetition, Spinoza: Practical Philosophy

Elizabeth Presa

Elizabeth Presa is a Melbourne-based visual artist and Head of the interdisciplinary Centre for Ideas, in the Faculty of the Victorian College of the Arts and MCM, the University of Melbourne. She has an ongoing project entitled Apian Utopias: Small Architecture for Bees, with iterations in Tokyo with the Ginza beehives; Pilchuck Glass School where she was artist in residence; Minzu University Bei...

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info & contact

affiliation

University of Melbourne, AU

email

epresa [AT] unimelb.edu.au

web

vca-mcm.unimelb.edu.au
elizabethpresa.com

presentations

Life Must First Imitate Matter
(in DARE 2015: the dark precursor )
keywords: becoming-indiscernible, becoming-woman, coupling, Leopold von Sacher-Masoch, The Logic of Sense

Garden of Small Nuptials
(in DARE 2017: aberrant nuptials )
keywords: colour, François Zourabichvili, Gian Lorenzo Bernini, resistance, stratum, transcendence

Eldritch Priest

Eldritch Priest writes on sonic culture, experimental aesthetics, and the philosophy of experience from a ’pataphysical perspective. His essays have appeared in various journals and he is the author of Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure (Bloomsbury, 2013) as well as a co-author of Ludic Dreaming: How to Listen Away from Contemporary Technoculture (Bloomsbu...

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info & contact

affiliation

Simon Fraser University, Burnaby, CA

email

epriest [AT] sfu.ca

presentations

A Matter of Style and Sheer Enthusiasm
(in DARE 2017: aberrant nuptials )

Radek Przedpełski

Radek Przedpełski is a doctoral student in the School of Languages, Literatures, and Cultural Studies at Trinity College Dublin, researching Polish conceptual and performance art of the 1970s. His other research interests include performances of virtuality in new Polish-Jewish music and Polish-Tatar poetry. Radek is also a part of the interdisciplinary Digital Arts and Humanities PhD programme ru...

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info & contact

affiliation

Trinity College Dublin, IE

email

przedper [AT] tcd.ie

presentations

Mouldworks: An Art Rhizomatic Inquiry into Haecceities in Material (and) Thought
(in DARE 2015: the dark precursor )
keywords: baroque, haecceity, photography, rhizome, Robert Smithson