Anna Paula Silva Gouveia

Anna Paula Silva Gouveia architect (1986) and PhD (1998) in architecture and urbanism at the University of São Paulo—FAU USP. She is a research professor at the State University of Campinas (Unicamp) in undergraduate courses in visual arts and architecture and was Vice Dean of the Arts Institute of UNICAMP, management 2011–2015. She has experience in architecture, visual arts, and industrial...

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info & contact

affiliation

State University of Campinas, BR

email

marlialencar19 [AT] gmail.com

presentations

Repeat, Please: An Experience of Creation
(in DARE 2015: the dark precursor )
keywords: becoming, body, education, jewellery, material/ism, voice

Danielle Sofer

Danielle Sofer trained as a violist and pianist but abandoned performance in graduate school to pursue an academic career in music history and theory; however, somehow she has never been able to remove herself completely from a performing role. Danielle is currently employed as a university assistant at the Kunstuniversität in Graz, Austria, where she is writing the dissertation “Making Sex Sou...

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info & contact

affiliation

University of Music and Performing Arts, Graz, AT

presentations

Music in Transit: An Interactive Interview With Juliana Hodkinson
(in DARE 2015: the dark precursor )
keywords: Martin Heidegger, noise, voice

George Sotiropoulos

George Sotiropoulos is currently teaching at the International School of Athens. His more recent publications include “Bodies of Truth: Eric Voegelin’s Ontology of Participation and the Potentialities of Embodied Being” in Contemporary Political Theory (2015); Thirsting for Justice: On the Theory and History of Revolution (Futura Publications, 2017, in Greek); and “On the Anti-Memorandum S...

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info & contact

affiliation

International School of Athens

email

gsotiropoulos [AT] isa.edu.gr

presentations

‘Beautiful Like a Burning Bank’: Justice, Art, and the Poetics of the Street
(in DARE 2017: aberrant nuptials )
keywords: aesthetics

Ben Spatz

Ben Spatz is Senior Lecturer in Drama, Theatre, and Performance at the University of Huddersfield. He is author of What a Body Can Do: Technique as Knowledge, Practice as Research (Routledge 2015) as well as numerous shorter works published in both scholarly and artistic journals. Ben holds a PhD in Theatre from the City University of New York and was a Fulbright Fellow at the Grotowski Ins...

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info & contact

affiliation

University of Huddersfield, UK

email

b.spatz [AT] hud.ac.uk

presentations

Out from the Egg of Silence: For a Topology of Song
(in DARE 2015: the dark precursor )
keywords: egg, epistemic things, Graham Harman, intensity, performance, song, theatre