1st international conference on
Deleuze and Artistic REsearch
Orpheus Institute, Ghent, Belgium
9 – 11 November 2015
call for proposals venues day 1 day 2 day 3 ongoing in absence
Pieter Lozie, ‘Gent Lightning 20140609 2.55am’, from Lighting, Rainbow, 2014. Courtesy of © 2014 Pieter Lozie. All rights reserved.
La foudre éclate entre intensités différentes, mais elle est précédée par un “précurseur sombre,” invisible, insensible, qui en détermine à l’avance le chemin renversé, comme en creux. De même, tout système contient son précurseur sombre qui assure la communication des séries de bordure.
—Gilles Deleuze, Différence et répétition. Paris: PUF 1968, 156
Thunderbolts explode between different intensities, but they are preceded by an invisible, imperceptible dark precursor, which determines their path in advance but in reverse, as though intagliated. Likewise, every system contains its dark precursor which ensures the communication of peripheral series.
—Gilles Deleuze, Difference and Repetition. London: Continuum 1994, 119
call for proposals
The philosophy of Gilles Deleuze and/or Félix Guattari has become increasingly relevant to the field of artistic research. It acts as a key reference for many artist-researchers, who engage with knowledge across academic and non-academic fields of practice. At the same time, the term artistic research remains suspended in its definition in order to highlight immanent modes of knowledge creation. The extent and depth of Deleuze and/or Guattari’s influence on this emerging field is largely unchartered, nor has their philosophy been evaluated from the perspective of artists who work at the borders of philosophy. DARE 2015 is the first international conference entirely dedicated to the relation between artistic research and Deleuze and/or Guattari’s philosophy, and welcomes both artistic presentations and scholarly papers that investigate this relation.
Art plays a crucial role in the philosophy of Deleuze. He dedicated a substantial part of his oeuvre to literature, theater, painting, cinema and music. Importantly, he understood art as a mode of thinking, irreducible to and imbricated with philosophy and science. Like art, philosophy and science are both creative practices; and like philosophy and science, art is research in the sense of continued experimentation and infinite learning. Moreover, and independently of his writings on the arts, Deleuze created philosophical concepts that are open to different kinds of reflections and appropriations by artists and artist-researchers.
Choosing as its title the concept of ‘dark precursor,’ the conference reflects the duality and openness inherent to artistic research. Deleuze appropriated this expression from meteorology, where it designates a stage in a cloud-to-ground lightning sequence. The stepped leader, as the dark precursor is technically referred to, develops when the charge separation within a stormy cloud is so strong that the surrounding air is ionized and becomes conductive (plasma). Thus, a charge transfer ensues from the top of the cloud to its base, and from there, a flow of negative charges begins making its way towards the ground. Along the path that now connects the cloud and the ground, a much stronger flow of positive charges travels freely from the ground upwards, generating heat. In one thousandth of a second, the air surrounding the return stroke becomes five times hotter than the sun surface and the incandescence produces the brilliant flash we see of the lightning.
The notion of the dark precursor concerns the question of how a communication between heterogeneous systems, ‘of couplings and resonance,’ occurs without being predetermined. In relation to artistic research we ask how to compose these resonances, how to create new couplings that are not accidental but rigorous and at the same time indeterminate. How to create in the midst of a primordial difference?
We encourage artist-researchers and scholars to experiment with all modes of presentation and to submit outlines in all areas of interference between Deleuze and/or Guattari’s philosophy with artistic research. For instance, presentations may address questions about the creative act in artistic practices and trans-disciplinary research (music, film, painting, writing, new media, etc.); the genesis of forms and processes of individuation (dark precursor, diagram, abstract machine, assemblage, haecceity, fold, etc.); the production, validation and dissemination of knowledge in artistic research (dramatisation, experimentation, metamodeling, rhizomatics, schizoanalysis, etc.); styles of thinking (image of thought, form, sign, utterance, code, etc.); the ethico-aesthetic paradigm and its politics, subjectification and universes of value (becoming-x, habit, life, nomadism, double capture, micropolitics, resistance, etc.)
In line with the theme of the ‘dark precursor’, we are particularly interested in receiving proposals for scholarly and artistic presentations that exceed simple interpretations and representations of either Deleuze and/or Guattari’s philosophy or an artistic practice at hand.
DARE 2015 welcomes presentations ranging from academic to artistic in modalities, including performative, collaborative, interactive, visual, new media, installations etc. Proposals, written either in English or French, should be submitted through the conference online submission system. Scholarly presentations are limited to 30 minutes including Q&A, while duration and form of artistic presentations will be considered case by case.
To submit your outline of presentation, please visit: dare2015.exordo.com and follow the simple on-screen instructions provided (you will be required to setup an account first). The outlines should not exceed 500 words and include the title, followed by not more than five keywords. Artist-researchers should include a physical description of the artistic presentation they propose, specifying for instance, the number of people involved, its dimensions and duration, materials, technical requirements, etc. The outlines may be supplemented, uploading separate files to ‘Ex Ordo’. The attached files should:
- not exceed 5 in number
- not exceed 2GB each in size
- be in any of the following file formats:
- Images: PDF, TIFF, JPEG, GIF, BMP, PNG
- Audio: WAV, AIFF, FLAC, MP3
- Video: AVI, QuickTime, MP4
- be clearly named after the submitting author and their sequence number from 1 to 5. For example: LASTNAME_Firstname_1.pdf
- be listed by file name in the text of the submission
A short list of references may be attached as PDF, preferably formatted in Chicago Referencing Style.
The closing date for submissions is Wednesday, 1 July 2015 (extended).
After the submissions are closed, the Editorial Board will peer-review submissions and notify authors by Friday, 17 July 2015.
Accepted authors are kindly requested to promptly confirm their participation and submit by Tuesday, 1 September 2015 a final version of their outline of presentation and short CV, that will be published on the DARE 2015 website alongside the conference programme. Requirements for each presentation are negotiated with individual authors at this stage.
All accepted abstracts will be published open-access on the conference website and presentations at DARE 2015 will be video recorded for documenting and archiving purposes. A publication of the conference proceedings is in planning.
venues
De Bijloke Muzic Centre
Jozef Kluyskensstraat 2
9000 Ghent, BELGIUM
Phone +32 (0)9 233 68 78
Email info [AT] debijloke.be
Web debijloke.be
The conference starts at De Bijloke and continues in this venue until the end of the concert Outlandish on day 2.
Orpheus Institute
Korte Meer 12
9000 Ghent, BELGIUM
Phone +32 (0)9 330 40 81
Email info [AT] orpheusinstituut.be
Web orpheusinstituut.be
The conference is at the Orpheus Institute from day 1 afternoon until the closing reception.
Sphinx Cinema
St. Michielshelling 3
9000 Gent, BELGIUM
Phone +32 (0)9 225 60 86
Email info [AT] sphinx-cinema.be
Web sphinx-cinema.be
The conference is at Sphinx only during the morning of day 3.
programme of day 1
Monday, 9 November 2015
De Bijloke Music Centre
Entrance
- 8:30 – 9:30
Registrations, tea & coffee
Kraakhuis
- 9:30 – 10:00
Welcome by Peter Dejans and Paulo de Assis - 10:00 – 11:00
Keynote. Mick Wilson, Artistic Research, the University, and the Trajectory of a Deleuzian Motif - 11:00 – 12:00
Keynote. Erin Manning, Beside the Point: Where the In-Act of Activism Lurks - 12:00 – 13:00
Jan Schacher, New Islands: The “Manifold” of Performing Gestural Electronic Music - 14:00 – 14:30
Lois Fitch, Deleuze and Painting: Music and the Figure - 14:30 – 15:00
Miguelángel Clerc Parada, From Painting to Sound: Musical Reflections on Deleuze’s Francis Bacon: The Logic of Sensation - 15:00 – 15:30
Julia Garstenauer, Deleuze and the Paintings - 15:30 – 16:00
John Miers, Bacon and the Cartoonist: The Emergence of the Figure through Two Opposing Diagrams - 16:30 – 17:00
Zsuzsa Baross, Godard and/with Deleuze: C’est Comme Ça Que Le Monde Naît - 17:00 – 17:30
Edward Thornton, The Paradoxical Form of Creative Practice: Exploring Deleuze’s Theory of Time in Logic of Sense - 17:30 – 18:00
William Bogard, The Caesura or Break in Time - 18:00 – 18:30
Juan-Jose Guerra-Valiente, The Third Milieu: Deleuze and the Universe of the Fixed Time-Space
Auditorium
- 12:00 – 13:00
Keynote. Julien Bruneau, Strata: A Lecture Performance - 17:00 – 17:30
Philip Waldner, A Philosopher’s Time Travel Between Science and Fiction - 17:30 – 18:00
Jecheol Park, Slowness as a Pure Form Of Time: Tsai Ming-liang’s Stray Dogs - 18:00 – 18:30
Carlos Candela, When Cinema Stills
Mezzanine
- 12:00 – 13:00
Keynote. Arno Böhler and Susanne Valerie Granzer, Corpus Delicti #2 // Untimely Precursors - 14:00 – 14:30
Luis DeMiranda, On the Concept of Creal: Ethical Promises of a Non-Teleological Creative Universal - 14:30 – 15:00
Felix Rebolledo, Andreia Oliveira and Tania Mara Galli Fonseca, Intuition and Creative Process - 15:00 – 15:30
Giulio Piatti, L’art au-delà de l’homme: Antonioni et Vertov par Deleuze, entre création et découverte - 15:30 – 16:00
Christopher Brown, Neuroaesthetics and Experimental Audio-Visual Performances
Bibliotheek
- 12:00 – 13:00
Keynote. Marc Ngui, Drawings from A Thousand Plateaus - 14:00 – 14:30
Michael Schwab, Proto-Objects - 14:30 – 15:00
Eleni Kolliopoulou, Noir Desìr: About Subjugated and Acting Body in Desire - 15:00 – 15:30
Gillian Wylde, A as in Animal - 15:30 – 16:00
Sílvia Pereira, OMNIADVERSUS Self-Actualising the Subject - 16:30 – 17:00
Sean Crossley and Beau Deurwaarder, The Poison Garden: A Sorcery Handbook (Part 1) - 17:00 – 18:00
Adreis Echzehn and Elfie Miklautz, Mobilising Deleuze: Thinking in Images and Sounds - 18:00 – 18:30
On screen. Paulo de Assis and Thomas Heiber, Untimely Variations. A Video Interview with Paulo de Assis
Rotonde
- 12:00 – 13:00
Radek Przedpełski, Mouldworks: An Art Rhizomatic Inquiry into Haecceities in Material (and) Thought - 14:00 – 16:00
Claudia Mongini, Andres Vahos and Emiddio Vasquez, Diagrammatic Traits: Scream(s)—Force(s)—Manifold(s) - 17:30 – 18:30
Radek Przedpełski, Mouldworks: An Art Rhizomatic Inquiry into Haecceities in Material (and) Thought (repeat)
Foyer
- 12:00 – 12:30
Joanna Sperryn-Jones, Cutting up Conference Papers - 12:30 – 13:00
Verina Gfader, More Brilliant Than the Past - 13:00 – 14:00
Lunch - 14:00 – 16:00
Clive Cazeaux, When Ontologies Collide in Artistic Research - 16:00 – 16:30
Tea & coffee - 16:30 – 18:30
Julia Bee, Brisson-Darveau, Brunner, Egert, Mason and Ramos, Actively Not Arriving: A Durational Atmospheric Intervention
Concerthall
- 19:00 – 20:00
Chair’s Concert. Paulo de Assis and HERMESensemble, Deleuzabelli Variations #4
Orpheus Institute
Concert Hall
- 14:00 – 16:00
Dialogue I: On Performance or Untimely Fabulation
With: Christoph Brunner (chair), Arno Böhler, Susanne Granzer, Julien Bruneau, Erin Manning and Christeel Stalpaert - 17:30 – 18:30
Nicolas Marty, L’image-temps
Auditorium
- 14:00 – 14:30
Catherine Ferguson, The Façade Within - 14:30 – 15:00
Peter Bertram, What is an Academy? - 15:00 – 15:30
Gökhan Kodalak, Deleuze, Flat Aesthetics, and the Diagrammatic Genesis of Art and Architecture - 15:30 – 16:00
Andrej Radman, Zigzagging: Bound by the Absence of Tie - 16:30 – 17:00
Ronny Hardliz, Architecture and Indifference - 17:00 – 17:30
Mhairi Vari, Perpetual Doubt, Constant Becoming
Dining Hall
- 20:30 – 22:30
Conference dinner
programme of day 2
Tuesday, 10 November 2015
De Bijloke Music Centre
Kraakhuis
- 9:00 – 9:30
Kriss Ravetto, Outtake - 9:30 – 10:00
Felix Rebolledo and Andreia Oliveira, The Image as a Process of Individuation within Artistic Research - 10:00 – 10:30
Elena Del Río, Digital Folds, or Cinema’s Automated Brain - 11:00 – 12:00
Keynote. Edward Campbell, The Dark Precursor and the Musics of the World - 12:00 – 13:00
Keynote. Marcel Cobussen, Towards a Sonic Materialism - 14:00 – 15:00
Keynote. Anne Sauvagnargues, Deleuze and Guattari as VJay: Digital Art Machines - 15:00 – 16:00
Keynote. Ian Buchanan, Art and Schizo Society - 16:30 – 17:00
Clara Maïda, For a Nanomusic: ‘Sound Desiring Machines’ and Multiple Time - 17:00 – 17:30
Pascale Criton, Variables, diagrammes, processus - 17:30 – 18:30
Concert. Jan Michiels (piano) and Deborah Walker (cello), Compositions by Pascale Criton, Clara Maïda, Olivier Messiaen and Luigi Nono - 18:30 – 19:00
Chris Stover, Time, Territorialization, and Improvisational Spaces - 19:00 – 20:00
Steve Tromans and Mike Fletcher, Alone/Together: Simulacral ‘A-Presentation’ in/to Practice-as-Research in Jazz - 20:20 – 20:50
Concert. Ingeborg Dalheim (soprano) and Heloisa Amaral (piano), Outlandish: Got Lost by Helmut Lachenman - 22:30 – 23:00
Concert. Ingeborg Dalheim (soprano) and Heloisa Amaral (piano), Outlandish: Got Lost by Helmut Lachenman (repeat)
Auditorium
- 9:00 – 9:30
Zornitsa Dimitrova, Deleuzian Expressionism as an Ontology for Theatre - 9:30 – 10:00
Silvia Balestreri, Luís Fabiano Oliveira and Vandaceli Bressiani, Stuttering Machine, War Machine, Actorial Machine Carmelo Bene - 10:00 – 10:30
Oleg Lebedev, Journey into the Unknown: Romeo Castellucci’s Theatre of Signs - 11:00 – 11:30
Shan-ni Tsai, How to Make Oneself a Dark Precursor: Mr. Palomar’s Practiced Death and Literary Epiphanies - 11:30 – 12:00
Audronė Žukauskaitė, Deleuze and Beckett Towards Becoming-Imperceptible - 12:00 – 12:30
Catarina Pombo Nabais, Perversion in Masochism: Coldness and Cruelty - 12:30 – 13:00
Nir Kedem, The Politics of Intimate Grammar: A Literary Symptomatology of the Israeli-Palestinian Conflict - 16:30 – 17:00
Daniel Fetzner and Martin Dornberg, Peau/Pli: A Skype Performance and its Metamorphoses - 17:00 – 17:30
Elisabet Yanagisawa, The Fold: A Physical Model of Abstract Reversibility and Envelopment - 17:30 – 18:00
Aaron Cassidy and Diego Castro Magas, The Pleats of Matter / The Matter of Pleats - 19:30 – 20:00
Keynote. Bernhard Land and Maarten Quanten, The Difference Engines. Bernhard Lang in conversation with Maarten Quanten - 20:00 – 20:15
Concert.- Ingeborg Dalheim (soprano), Outlandish: Pub by Georges Aperghis
- Francesco Dillon (cello), Outlandish: Pression by Helmut Lachenman
- 23:00 – 23:15
Concert.- Ingeborg Dalheim (soprano), Outlandish: Pub by Georges Aperghis (repeat)
- Francesco Dillon (cello), Outlandish: Pression by Helmut Lachenman (repeat)
Mezzanine
- 9:00 – 9:30
… - 9:30 – 10:30
Jesper J. Alvaer (with Isabela Grosseová), Exhibition as Psychic Event: Interpretation Method as Delineating Imaginary Capacities - 11:00 – 11:30
Rahma Khazam, Art and Knowledge at the Interstices - 11:30 – 12:00
Sozita Goudouna, Eco-Specificity: Performing the Heterogeneous Centre of the Ecological Imperative - 12:00 – 12:30
Toshiya Ueno, Guattari’s Ecosophy and Nature as Machinic Assemblages: In Reading Literatures and Films by Kobo Abe - 12:30 – 13:00
Aline Wiame, A Cartographic Creativity: Deleuze, Guattari and Deligny Towards New Means of Philosophical Expression - 16:30 – 17:00
… - 17:00 – 17:30
Manola Antonioli, Machines de guerre urbaines - 17:30 – 18:00
Christoph Hubatschke, Refusing Movement/s. Reflections on the “Intra-actions” of Current Social Movements and Art - 18:00 – 18:30
Bill Balaskas, Blindness
Bibliotheek
- 16:30 – 18:30
Dialogue II: On Visual Art or How Does Art Think?
With: Kamini Vellodi (chair), Éric Alliez, Ian Buchanan, Marc Ngui, Anne Sauvagnargues, Peter Stamer - 18:30 – 20:30
Encounters with: Marc Ngui, Sean Crossley and Beau Deurwaader, Lucia D’Errico, Einar Einarsson, Marina Kassianidou, Eleni Kolliopoulou, Federica Pallaver,Silvia Pereira, Michael Schwab, Mhairi Vari, Elisabet Yanagisawa and Gillian Wylde
Rotonde
- 9:00 – 9:30
Dana Papachristou, Locative Media Sound Walks: Connecting Nomadism with Contemporary Geolocated Flânerie and Open Source Practices - 9:30 – 10:00
Keynote. Taina Riikonen, Silent Buzz of the Schizzes: The Research Unit as a Sonic Desiring-Machine (sound work) - 11:00 – 11:30
Gabriel Paiuk, Deleuze’s Cinema Studies as a Model for a Problematising Sound Practice - 11:30 – 12:00
Åsa Stjerna, Exploring the Longitude and Latitude of Public Space through Sound Art - 16:30 – 17:00
Tero Nauha, Schizoproduction and Artistic Research - 17:30 – 18:00
Allard van Hoorn, Urban Songlines: Reterritorializing Public Space by Translating Buildings into Music - 22:30 – 20:40
Concert. Lucia D’Errico (electric guitar), Outlandish: Trash TV Trance by Fausto Romitelli - 22:40 – 22:50
Concert. Lucia D’Errico (electric guitar),Outlandish: Trash TV Trance by Fausto Romitelli (repeat)
Foyer
- 9:00 – 13:00
Akoo-o collcective, Nomad dérive - 16:30 – 19:30
Mark Rautenbach, [terror]tory - 22:15 – 22:30
Concert. Juan Parra (live electronics), Outlandish: The Egg by Juan Parra Cancino
Concert Hall
- 21:00 – 22:15
Concert. Ensemble Alter Ego featuring Philip Jeck, Outlandish: The Tables Are Turned by Bernhard Lang
Orpheus Institute
Concert Hall
- 9:00 – 10:30
Juliana Hodkinson and Danielle, Music in Transit: An Interactive Interview with Juliana Hodkinson - 11:00 – 11:30
Verina Gfader and Mikhail Karikis, Hollywood Flatlands. Taking a Line for a Walk - 11:30 – 12:00
Jae Emerling, To Deframe, to Compose: Transmissibility as Artistic Re-Search - 12:00 – 12:30
Marcello Garibbo, Deleuze´s Philosophy of Cinema: Reflections on Subjectivity, Images and Visual Artworks - 12:30 – 13:00
Jūratė Baranova, Heterogeneity of the Word and the Image: What is the Possible Dark Precursor?
Auditorium
- 9:00 – 9:30
Spencer Roberts, For (and against) Biggs and Büchler - 9:30 – 10:00
Pieter-Jan Decoster and Nancy Vansieleghem, Making the Digital Spiritual: A Research Experiment in Art Education - 10:00 – 10:30
Ana Paula de Campos, Anna Paula Silva Gouveia and Marlyvan Moraes de Alencar, Repeat, Please: An Experience of Creation - 11:00 – 11:30
Adrienne Boulton-Funke, Filmmaking and an Arts-based Methodology of Intuition: Affect and the Virtual in Research and Pedagogy - 11:30 – 12:00
Rachel Holmes and Liz Jones, Flickering Alchemy: Curating Noisy Transgenic Empirical Creatures - 12:00 – 12:30
Elke Marhöfer, Machinic Companions: Exploring Nonhuman Perceptions, Temporalities and Expressions - 12:30 – 13:00
Mikahil Lylov and Eke Marhöfer, Durations of Knowing: Towards Attentive Anthropological Filmmaking
Penthouse
- 9:00 – 9:30
Federica Pallaver, Matter-Flow: Studies of Minor Composition - 9:30 – 10:00
Elisabeth Presa, Life Must First Imitate Matter - 10:00 – 10:30
Sean Crossley and Beau Deurwaader, The Poison Garden: A Sorcery Handbok (Part 2) - 10:30 – 11:00
Marina Kassianidou, Becoming Paper
programme of day 3
Wednesday, 11 November 2015
Sphinx Cinema
Screen 3
- 9:00 – 10:00
Lilija Duobliene, Unformed Sound in Multimedia Composition: The Šarapovas Project Silver Dust - 10:00 – 10:30
Anna Barseghian and Stefan Kristensen, No Voice Is Lost - 10:30 – 11:00
Tea & coffee - 11:00 – 12:00
Keynote. Éric Alliez, On Contemporary Philosophy and Art: Towards a Diagrammatic Critique of Aesthetics - 12:00 – 13:00
Keynote. Peter Stamer, Posthumous. 26 Letters to Deleuze
Orpheus Institute
Concert Hall
- 9:00 – 9:30
Patricia Alessandrini and Richard Craig, Memory as Difference, Material as Repetition: A Performative Presentation of Compositional Strategies and Multi-Source Interpretative Methods - 9:30 – 10:00
Paolo Galli, Machining the Voice through the Continuous Variation - 10:00 – 10:30
John Hails, Ceci n’est pas la musique: Laying the Groundwork for a Schizoanalysis of Brian Ferneyhough’s Carceri d’Invenzione I (1982) - 14:00 – 14:30
Frédéric Mathevet, Partitions suspendues, partitions circonstancielles, partitions graphiques et partitions étendues : l’œuvre comme re-diagrammatisation ‘écopraxique’ - 15:00 – 15:30
Jimmie LeBlanc, Capture de forces et logique de la sensation dans Géométries de l’abîme (LeBlanc, 2014), In Vivo (Cendo, 2007–2010), et The Restoration of Objects (McCormack, 2008) - 15:30 – 16:00
Richard Craig, The Emergence of the Interpreter in the Preparation and Performance of Unity Capsule for Solo Flute by Brian Ferneyhough - 16:30 – 18:00
Dialogue III: On Music or The Combat of Chronos and Aion
With: Paulo de Assis (chair), Edward Campbell, Pascale Criton, Brian Hulse, Martin Scherzinger and Deborah Walker - 19:00 – 19:30
Hubert Gendron-Blais, Joel Gorrie and Joel Mason, The Struggle Hears and Plays All That We Forget Is Still Happening
Auditorium
- 9:00 – 9:30
Can Batukan, Tonality in Music as a Key Concept to Explain Life - 9:30 – 10:00
Vincent Meelberg, Perform Now! Musical Performance as Affective, Disruptive Practice - 10:00 – 10:30
Keir GoGwilt, Who Interprets? - 14:00 – 15:30
Keynote. Brian Hulse, The Sonarium, or, Towards a Spatiality Proper to Sound - 15:30 – 16:30
Keynote. Martin R. Scherzinger, Against Deleuze, Boulez (Music as Oracle)
Penthouse
- 9:00 – 9:30
Miguel González Virgen, Duchamp’s Art Coefficient: The Dark Precursor at Work - 9:30 – 10:00
Louisa Buck, Sisyphus and Deleuze - 10:00 – 10:30
Laura Lake Smith, Imaging the In-between: The Serial Art of Richard Tuttle - 14:30 – 15:00
Natascia Tosel, ‘Hippies use side door’: L’humorisme comme précurseur sombre - 15:00 – 15:30
Sybrandt van Keulen, Aesthetics of Power - 15:30 – 16:00
Irina-Gabriela Rus, Hans Bellmer and the Body without Organs - 16:00 – 16:30
Juliana Soares Bom-Tempo, Pour une ‘clinique poétique’: Expérimentations en risque dans les images en performance
Dining Hall
- 13:30 – 14:30
Lunch - 16:30 – 17:00
Tea & coffee - 19:00 – 19:30
Closing reception with a toast to DARE 2017 - 19:30 – 22:30
Concert. DJ Toshiya the Tribal (aka Toshiya Ueno), A Journey of Refrains, Vibes, and Ambience: Félix Guattari and Japan in Terms of Minimal Techno and Techno-Pop
ongoing
De Bijloke Music Centre
(day 1 and 2)
Foyer
- Iphygenia Dubois and Lore Horré, Afterimage: The Dark Precursor
Bibliotheek
- On screen. Adreis Echzehn and Elfie Miklautz, al niente
- On screen. Pouya Gholami, Two Shorts
- On screen. Eleni Kolliopoulou, Noir Desìr
- On screen. Chiara Passa, Live Sculpure
- On screen. Peter Stamer, Postumous
- On screen. Gillian Wylde, A as in Animal
- On view.
Silvia Pereira, OMNIADVERSUS - On view. Michael Schwab, Proto-Objects
- On view. Elisabet Yanagisawa, The Fold
Orpheus Institute
Penthouse
- On view. Sean Crossley and Beau Deurwaarder, The Poison Garden: A Sorcery Handbook
- On view. Marina Kassianidou, Becoming Paper
Red Room
- On view. Ronny Hardliz, Architecture and Indifference
Entrance/Cellar
- On view. Lucia D’Errico, )(Z)(
- On view. Mhairi Vari, Perpetual Doubt, Constant Becoming
in absence
Elizabeth de Freitas, Mathematical Monsters and the Continuum
Fabrice Raffin, La pensée nomade: un processus d’innovation artistique
Angelika Seppi, Eventum tantum: On the Paradoxes of Sense, Dark Precursors, Quasi-causes, and the Excessive Rest
Eleanor Stubley, Maintenant: Seeing the Untouchable, Touching the Unseen
Nina Stuhldreher, The Last Frontier of (Un)consciousness and the Arts: On Neurodiversity and Artistic Thinking in Times of Self-Observation, Evolution’s Most Recent “Killer App”
The conveners of DARE 2015 have received funding from the European Research Council under the European’s Seventh Framework Programme (FP/2007-2013) / ERC Grant Agreement n. 313419.