about the author
Brian Hulse (PhD Harvard) is Associate Professor of Music at the College of William and Mary in Virginia (USA). He has published articles and given talks on a variety of topics, most notably those engaging the work of Gilles Deleuze and Henri Bergson. With Nick Nesbitt he co-edited the volume Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music, in which he provided the chapter “Thinking Musical Difference: Music Theory as Minor Science” (Ashgate, 2010). Forthcoming publications include “Becoming-Composer” (Perspectives of New Music) and “On Repetition and Musical Ideas” (Deleuze Studies). In addition, Hulse is a composer with albums on Centaur Records (Stain, 2015) and Albany Records (pseudosynthesis, 2009).
info & contact
College of William and Mary, Williamsburg, US
bchuls [AT] wm.edu
(in DARE 2015: the dark precursor ) Henri Bergson, pitch, sound studies
(in DARE 2015: the dark precursor ) aion, chronos, Pierre Boulez, singularity