about the author
Edward Campbell is Senior Lecturer in Music at the University of Aberdeen and co-director of the university’s Centre for Modern Thought. He specialises in contemporary European art music and aesthetics including historical, analytical, and aesthetic approaches to European modernism, the music and writings of Pierre Boulez, contemporary European opera, and the interrelation of musical thought and critical theory. He is the author of the books Boulez, Music and Philosophy (CUP, 2010) and Music after Deleuze (Bloomsbury, 2013) and co-editor/contributor to Pierre Boulez Studies (CUP, forthcoming 2016). He is currently working as co-editor on The Cambridge Stravinsky Encyclopedia as well as on a monograph on the importance of Asian and African music in French music since Debussy.
info & contact
University of Aberdeen, UK
e.campbell [AT] abdn.ac.uk
(in DARE 2015: the dark precursor ) Claude Debussy, consistency, encounter, improvisation, Olivier Messiaen, Pierre Boulez
(in DARE 2015: the dark precursor ) aion, chronos, Pierre Boulez, singularity
(in DARE 2017: aberrant nuptials ) de/re-territorialisation