Sara Baranzoni

Sara Baranzoni completed her PhD in performance studies with a dissertation on Gilles Deleuze; she has been a Research Fellow at Bologna University and is currently Prometeo Researcher at the Universidad de las Artes of Guayaquil (Ecuador), where she teaches “Philosophy and Theatrical Event.” Her research interests concern contemporary French philosophy (Deleuze, Foucault, Stiegler), performan...

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info & contact

affiliation

Universidad de las Artes, Guayaquil, EC

email

sarabar [AT] gmail.com

presentations

Milieus of Locality. The Aesthetic of the Point of View
(in DARE 2017: aberrant nuptials )
keywords: Bernard Stiegler, milieu, technical objects

Zsuzsa Baross

Zsuzsa Baross is Professor at the Cultural Studies Department, Trent University, Canada. She is the author of Posthumously: For Jacques Derrida (2011) and Encounters: Gérard Titus-Carmel, Jean-Luc Nancy, Claire Denis (2015) and has published numerous essays in anthologies and journals, including Derrida Today, Deleuze Studies, Angelaki, International S...

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info & contact

affiliation

Trent University, CA

email

zbaross [AT] trentu.ca

web

trentu.ca
trentu.academia.edu

presentations

Godard and/with Deleuze: C’est comme ça que le monde naît
(in DARE 2015: the dark precursor )
keywords: Gilles Deleuze from A to Z, Jean-Luc Godard, montage, virtual/virtuality, zig-zag

The Time of the Encounter
(in DARE 2017: aberrant nuptials )
keywords: becoming, encounter, noise, Philippe Manoury, Pierre Boulez, time

Anna Barseghian

Anna Barseghian, after studying architecture in Armenia, continued practicing as a visual artist. She obtained a Postgraduate Degree in Computer Graphic Visualization at the University of Geneva. Alongside her work as artistic director of Utopiana, Anna Barseghian develops her artistic and curatorial work. Recently, she designed and directed the Désir sans destinie event held at the Thé...

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info & contact

affiliation

Utopiana, Genève, CH

web

utopiana.ch

presentations

No Voice Is Lost
(in DARE 2015: the dark precursor )
keywords: machinic unconscious, memory, politics, refrain, resistance, song

Can Batukan

Can Batukan was born in Ankara in 1978. He graduated from Saint-Joseph High School and studied mathematics and economics with a minor in literature and philosophy at Istanbul BILGI University. In 2015, he completed his PhD research, entitled “The Question of the Animal in Heidegger and Deleuze,” at the University of Galatasaray. His main areas of interest are continental philosophy, critical...

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info & contact

affiliation

University of Galatasary, Istanbul, TR

email

batukan78 [AT] hotmail.com

presentations

Tonality in Music as a Key Concept to Explain Life
(in DARE 2015: the dark precursor )
keywords: affect, becoming-animal, François Zourabichvili, refrain, rhythm, tonality