Barbara Bolt

Barbara Bolt is a practising artist and art theorist at the VCA University of Melbourne. She has written two monographs, Art Beyond Representation: The Performative Power of the Image (2004) and Heidegger Reframed: Interpreting Key Thinkers for the Arts (2011), and co-edited four books, Material Inventions: Applying Creative Arts Research (2014), Carnal Knowledge: Towards a “New Materialism” t...

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info & contact

affiliation

University of Melbourne, AU

email

bbolt [AT] unimelb.edu.au

web

barbbolt.com

presentations

Dialogue II: New Materialism(s) for Artistic Research
(in DARE 2017: aberrant nuptials )
keywords: artistic research, material/ism

Juliana Soares Bom-Tempo

Juliana Soares Bom-Tempo. Doctorat de la Faculté d’Éducation de l’Université d’Etat de Campinas—Unicamp. Audiovisuel Lab: EYE. Thème—Par une clinique poétique: essais à risque dans les images en performance (2015). Doctorat-sandwich (01/2014 à 01/2015) à l’Université Ouest-Nanterre—Paris X / FR. Master en Psychologie à l’Université Fédérale de Uberlândia (2008). Dipl�...

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info & contact

affiliation

Université Federal de Uberlândia, BR

email

ju_bomtempo [AT] yahoo.com.br

presentations

Pour une ‘clinique-poétique’: Expérimentations en risque dans les images en performance
(in DARE 2015: the dark precursor )
keywords: Anne Sauvagnargues, clinic, Difference and Repetition, egg, image, individuation

Valéria Bonafé

Valéria Muelas Bonafé was born in São Paulo, Brazil, in 1984. I studied composition with Aylton Escobar and Silvio Ferraz, and attended masterclasses with Emmanuel Nunes, Tristan Murail, Stefano Gervasoni, and others. I received my academic education (bachelor, master’s, and PhD) at the University of São Paulo (Brazil). In the 2013–14 academic year I studied at Musikhochschule Stuttgart (G...

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info & contact

affiliation

University of Sao Paulo, BR

email

valeriabonafe [AT] valeriabonafe.com

web

valeriabonafe.com

presentations

Sonic Nuptials. Composition and Improvisation in a Double Capture: Refrain and Processes of Territorialization
(in DARE 2017: aberrant nuptials )
keywords: de/re-territorialisation, double capture, improvisation

Adrienne Boulton-Funke

Adrienne Boulton-Funke holds a Master of Arts degree in art education from the University of British Columbia (2009) and a Bachelor of Education Secondary Art Education from the University of Saskatchewan (1994). She has taught visual arts in middle years and secondary schools for thirteen years and at the Mendel Art Gallery for two years. She is completing a PhD in curriculum studies (art educati...

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info & contact

affiliation

Missouri State University, Springfield, US

email

AdrienneBoultonFunke [AT] MissouriState.edu

presentations

Filmmaking and an Arts-Based Methodology of Intuition: Affect and the Virtual in Research and Pedagogy
(in DARE 2015: the dark precursor )
keywords: education, film, Henri Bergson, intuition