Deleuze and the Paintings
Julia Garstenauer
When the so-called performative turn in the arts appeared in the 1960s, it seemed that painting, and in particular figurative painting, has been carried finally to its grave—an end that has often been announced since the emergence of photography and, later, the emergence of abstraction. Therefore, it comes as a surprise that Gilles Deleuze chooses Francis Bacon, a so-called figurative painter,...
November 11, 2015
Orpheus Institute, Penthouse
in absence
image
diagram, Francis Bacon: The Logic of Sensation, haptic, photography