Milieus of Locality. The Aesthetic of the Point of View

Sara Baranzoni

The explosion of pervasive digital technologies and ubiquitous computing is today creating a milieu where technological mediation has reached a very subtle point. Subjects find themselves plunged into hyperconnected environments, wrapped in a cloud of data, where sensation and cognition take place in a distributed and environmental way, beyond what has always been referred to as subjectivities; no...

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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Concert Hall
format: from afar
practice: philosophy
keywords: Bernard Stiegler, milieu, technical objects

Syncopated Rhythms in the Work of Burrows and Fargion

Jonas Rutgeerts

In 2002 choreographer/dancer Jonathan Burrows and composer/musician Matteo Fargion decided to create Both Sitting Duet, a choreography where they are both equally involved. The piece marked the start of a long- lasting  collaboration  that has, until  now,  resulted  in  the  creation  of eight  short  duets that all “straddle the line between dance, music, performance art and...

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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Penthouse
format: in words
practice: performance
keywords: Jonathan Burrows, Matteo Fargion, rhythm

A Politics of Sensation? Rendering Visible and Active and Reactive Forces in the Work of Elizabeth Price

Eva Richardson McCrea

This paper seeks to address two things. First, this paper will analyze Deleuze’s definition of the work of art as “a being of sensation and nothing else.” Second, this paper will ask whether Deleuze’s theory of art can be conceived in terms of a politics of art and, if so, how? In What is Philosophy?, Deleuze and Guattari write, “The composite sensation, [art] made up of percept...

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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Penthouse
format: in words
practice: ethics and politics
keywords: Elisabeth Price, politics, Stephan Zepke

Bare Your Self Naked for Creation. Notes on Impersonality, the Encounter and a Body for a Life

Fernando Machado Silva

In works before A Thousand Plateaus (2005), such as The Logic of Sense (1990), Gilles Deleuze stresses the importance of the impersonal as the dimension one must reach to counter-effectuate the Event. Impersonal, or neutrality, is a characteristic of singularities and of the Event. Although Deleuze never relates the Event to an experience, regarding experience as an even...

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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Penthouse
format: in words
practice: philosophy
keywords: creation, encounter, haecceity, plane of composition