Nietzsche 6+1: The Weight of Music

Paulo de Assis, Michael Schwab

Between 1854 (when he was aged ten) and 1872, Friedrich Nietzsche wrote a substantial number of musical compositions, including fragmentary pieces for solo piano, several songs, an uncompleted mass, and even a sketched opera. His activity as a composer remains essentially unknown, and his music pieces are rarely performed. A great admirer of Richard Wagner and profoundly influenced by the though...

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conference: DARE 2017: aberrant nuptials
date: ongoing
format: on screen
practice: performance

Untimely Variations. A Video Interview with Paulo de Assis

Paulo de Assis

A short video-interview to Paulo de Assis (Orpheus Institute, 20 September 2015) about Deleuzabelli Variations #4. Chapters: Chronos 1:06 Differential repetitions 4:24 Resitence 5:24 Veränderungen 11:26 Thomas Heiber, interviewer; Gerhard Schabel, camera; Paolo Giudici, editing....

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Bibliotheek
format: on screen
practice: music and sound
keywords: chronos, difference, repetition, resistance, variation

A as in Animal

Gillian Wylde

Art, according to Gilles Deleuze, does not produce concepts, though it does address problems and provocations (Grosz 2008). The video “A as in Animal” is an artwork that is on the lookout for encounters. Assembled edits and cuts within the video are rendered both exact and invisible, inciting both problems and provocations. Processes of performative assemblage and appropriation are constants t...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Bibliotheek
format: encounter
practice: image
keywords: apparatus, assemblage, Donna Haraway, Gilles Deleuze from A to Z, rhizome, video

Live Sculpture

Chiara Passa

Live Sculpture is an interactive and performative video-sculpture, built as an auto-poietic and communicating mirror. When the viewer’s body stands in front of Live Sculpture, it is scanned and filmed in real time by a webcam installed behind a Baroque frame and then reanimated and reshaped in a full-size video projection simulating a three-dimensional marble sculpture. The new...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Bibliotheek
format: on screen
practice: image
keywords: baroque, fold, Humberto Maturana, sculpture, stratum
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