Matter-Flow: Studies of Minor Composition

Federica Pallaver

Among Deleuze’s encounters with art, jewellery has certainly never had any particular relevance, if compared with literature, painting, cinema, or music. And yet, jewellery making and metal arts (metallurgy, smithery, metalworking) more widely, appear at a crucial juncture of A Thousand Plateaus. Not only because of their relation to “nomadism”—“something lights up in our mind,�...

conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: Orpheus Institute, Penthouse
format: encounter
practice: things
keywords: assemblage, body without organs, jewellery, metal, minor

Becoming Paper

Marina Kassianidou

The installation Becoming Paper includes the collages Light Captures (2012–present) and Dotted Lines (2010–present). The methodology I employed during making involved approaching the surface on several levels: visual, material, and conceptual. This necessitated using marks that responded to each surface. This methodology has been influenced by and resonates with Gill...

conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: Orpheus Institute, Penthouse
format: encounter
practice: writing
keywords: collage, zone of indiscernibility

Architecture and Indifference

Ronny Hardliz

This paper will propose an understanding of architectural sense making, or simply architecture, as a process of indifferentiation and elaborate on the role of my artistic research vis-à-vis architecture as being itself an architectural process of indifferentiation. If we can say with Deleuze that restless immanence bleeds off in itself as “a life,” then the immanence of the “archit...

conference: DARE 2015: the dark precursor
date: February 9, 2018
venue: Orpheus Institute, Auditorium
format: on view
practice: space
keywords: architecture, Giorgio Agamben, model, performance

Re-Notations III: Schumann’s Kreisleriana, I Molto Agitato

Einar Torfi Einarsson

What is a score? What is notation? What is the function of notation? These ontological questions assume that we can capture some essence of a particular thing. But essences can transform and thus we have to dismiss the concept of essence, or transform it with difference à la Deleuze. The answer to such questions is therefore an invitation to experiment with transformations. If we say th...

conference: DARE 2015: the dark precursor
date: November 11, 2015
venue: Orpheus Institute, Auditorium
format: encounter
practice: music and sound
keywords: de/re-territorialisation, diagram, intensity, notation, Robert Schumann, stratum