Fictioning a Thought of Performance

Tero Nauha

Art and philosophy are non-parallel nuptials. Artistic practice often follows the forms of “philosophising,” but both art and philosophy are forms of thinking in materialistic terms. But how does performance think and can we regard the different series of thought, philosophy, and performance as conflating into one universal thought? In my presentation, my aim is to articulate the concepts of ...

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conference: DARE 2017: aberrant nuptials
date: November 22, 2017
venue: Orpheus Institute, Penthouse
format: performed
practice: performance
keywords: aesthetics, fictioning, form, theremin

ECOLOGIX: Towards an Eco-Logic of Dissensus

Jessie Beier

Indeed, this is it. As warnings of anthropogenic climate change, planetary temperature ascension, and the depletion of global water sources surge in tandem with cautionary tales of continued financial crises and political stupidity, the Earth has been conflated with a human- centred world, one divided, categorised, and made disparate through all-too-human regimes of representation. In...

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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Auditorium
format: performed
practice: philosophy
keywords: ecology

Topography of the (One)

Stefan Östersjö

Topography of the (One) is a composition for 11-stringed alto guitar by Swedish composer Christer Lindwall. It is a conceptually driven composition, with a vocal part for the soloist to perform, extracted from the phonological matter of philosophical texts, which are eventually recited at the close of the piece. The premiere, where the piece was staged by Swedish director Jörgen Dahlqvis...

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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: De Bijloke, Concert Hall
format: performed
practice: music and sound
keywords: guitar

Machinic Propositions

Henrik Frisk, Anders Elberling

Machinic Propositions is an artistic project and an attempt to critically examine Deleuze and Guattari’s theorems of deterritorialisation as found in chapters seven and ten of their seminal book A Thousand Plateaus (Deleuze and Guattari 1980). The output will be an audio-visual expression with the same over-arching goal to attempt to counteract the predominance of one medium over the ot...

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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Auditorium
format: performed
practice: music and sound
keywords: de/re-territorialisation, improvisation
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