Memory as Difference, Material as Repetition: A Performative Presentation of Compositional Strategies and Multi-Source Interpretative Methods
We present an experimental compositional and interpretative practice in relation to notions of memory, repetition, and duration employed by Deleuze in Différence et répétition and Le bergsonisme, while secondarily employing concepts from Le pli. A performance for flute and electronics by myself and Richard Craig using a multiple-source interpretative method...
November 11, 2015
Orpheus Institute, Concert Hall
music and sound
difference, Difference and Repetition, monad, objectile, repetition, The Fold