The Artist as a Child: Becoming a Self-Propelling Wheel
Daniel Weizman
This paper elicits an encounter between artists and children
by exploring the role of the latter in Deleuze’s philosophy, where
they become creators, thinkers, and experimenters. Deleuze has
claimed that artists say what children say; in some sense, both
create trajectories and becomings, engage in cartographic activity,
and trace out a dynamic, intensive map of desires. And they
ceaselessly t...
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conference: DARE 2017: aberrant nuptials
date: November 22, 2017
venue: Orpheus Institute, Auditorium
format: in words
practice: image
keywords: becoming-child, milieu, pop
Chaosmic Nuptials: The Secret Language of Mondrian’s Jazz
Runette Kruger
In A Thousand Plateaus, the work of abstract painter Piet
Mondrian is mentioned three times. The work and thought of Kafka,
on the other hand, forms an unbroken refrain throughout the text,
and for Deleuze and Guattari “No one is better than Kafka at
differentiating the two axes of the assemblage and making them
function together.” However, it is possible to contend that A
Thousan...
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conference: DARE 2017: aberrant nuptials
date: November 22, 2017
venue: Orpheus Institute, Auditorium
format: in words
practice: image
keywords: chaosmos, colour, Franz Kafka, haecceity, jazz, milieu
Sound and Image in Artistic Flooding: Vladimir Tarasov, Bill Viola
Lilija Duobliene
In A Thousand Plateaus, Gilles Deleuze and Félix Guattari
use Jakob von Uexküll’s theory of transcodance in nature, according
to which nature is treated as music with “components as melodies in
counterpoints”; Deleuze and Guattari develop this idea proposing
the example of an encounter between two different components—a wasp
and an orchid— where the implication is reciprocal....
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conference: DARE 2017: aberrant nuptials
date: November 22, 2017
venue: Orpheus Institute, Auditorium
format: in words
practice: image
keywords: aesthetics, Bill Viola, Stephan Zepke, Vladimir Tarasov
Diverging Doubles: Between the Sensing Body and Its Projected Image
George Themistokleous
With the proliferation of electronic media, Gilles Deleuze’s
conception of time-image is extended to various media platforms
that lie outside the cinematic discourse. By moving beyond the
cinematic confinements that physically distance
the bodily viewer from the image, digital
media, including augmented reality technologies, have allowed for
changing interactive relations in the perc...
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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Penthouse
format: in words
practice: image