L’art au-delà de l’homme: Antonioni et Vertov par Deleuze, entre création et découverte

Giulio Piatti

Le cœur du cinéma, selon Gilles Deleuze, c’est la capacité de restaurer des vastes zones acentrées et décadrées (Deleuze 1983, 94), bien au-delà du tournant humain de l’expérience. En autres termes, le cinéma n’est rien d’autre que le soi-même de l’image, théorisé pour la première fois par Bergson dans le premier chapitre de Matière et mémoire. Il n’y a plus ni...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Mezzanine
format: in words
practice: image
keywords: Cinema 1, Dziga Vertov, Henri Bergson, Michelangelo Antonioni, montage, rhythm, virtual/virtuality

Slowness as a Pure Form af Time: Tsai Ming-Liang’s Stray Dogs

Jecheol Park

In recent years, the term “slow cinema,” often circulated simply as a buzzword for a trend of global art cinema, has been theorised in more sophisticated ways. Despite the differences in their focuses, the recent theories of slow cinema have a common tendency to highlight how slow cinema, by slowing down the pace of life and restoring the supposedly insignificant details of life, challenges th...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Auditorium
format: in words
practice: image
keywords: capitalism, Donatien Alphonse François de Sade, Henri Bergson, queer/ing, slow cinema, time-image

Bacon and the Cartoonist: The Emergence of the Figure Through Two Opposing Diagrams

John Miers

In The Logic of Sensation, Deleuze describes Francis Bacon’s practice as a constant struggle to avoid or surpass figuration, illustration, and narrative, all of which are central elements of the art practice most commonly known as “cartooning”—the drawing of comic strips, books, and graphic novels. This paper will focus on Deleuze’s use of the concept of the “diagram” and th...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Kraakhuis
format: in words
practice: image
keywords: cartoon, diagram, drawing, emergence, figure, Francis Bacon: The Logic of Sensation

Machinic Companions: Exploring Nonhuman Perceptions, Temporalities and Expressions

Elke Marhöfer

Scientific research needs objects and apparatuses for investigations, but usually forgets them when it retrospectively constructs objectivity. Karen Barad refers to this as a “quantum entanglement” between the object and the “agencies of observation.” In a guided screening of my film prendas—ngangas—enquisos—machines (16 mm, Cuba, 2014), I will trace how research tools are n...

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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: Orpheus Institute, Auditorium
format: in words
practice: image
keywords: apparatus, ecology, film, Karen Barad, machinic phylum, technical objects