L’art au-delà de l’homme: Antonioni et Vertov par Deleuze, entre création et découverte
Giulio Piatti
Le cœur du cinéma, selon Gilles Deleuze, c’est la capacité de
restaurer des vastes zones acentrées et décadrées (Deleuze 1983,
94), bien au-delà du tournant humain de l’expérience. En autres
termes, le cinéma n’est rien d’autre que le soi-même de l’image,
théorisé pour la première fois par Bergson dans le premier chapitre
de Matière et mémoire. Il n’y a plus ni...
read more
conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Mezzanine
format: in words
practice: image
keywords: Cinema 1, Dziga Vertov, Henri Bergson, Michelangelo Antonioni, montage, rhythm, virtual/virtuality
Slowness as a Pure Form af Time: Tsai Ming-Liang’s Stray Dogs
Jecheol Park
In recent years, the term “slow cinema,” often circulated simply as
a buzzword for a trend of global art cinema, has been theorised in
more sophisticated ways. Despite the differences in their focuses,
the recent theories of slow cinema have a common tendency to
highlight how slow cinema, by slowing down the pace of life and
restoring the supposedly insignificant details of life, challenges
th...
read more
conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Auditorium
format: in words
practice: image
keywords: capitalism, Donatien Alphonse François de Sade, Henri Bergson, queer/ing, slow cinema, time-image
Bacon and the Cartoonist: The Emergence of the Figure Through Two Opposing Diagrams
John Miers
In The Logic of Sensation, Deleuze describes Francis
Bacon’s practice as a constant struggle to avoid or surpass
figuration, illustration, and narrative, all of which are central
elements of the art practice most commonly known as
“cartooning”—the drawing of comic strips, books, and graphic
novels. This paper will focus on Deleuze’s use of the concept of
the “diagram” and th...
read more
conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Kraakhuis
format: in words
practice: image
keywords: cartoon, diagram, drawing, emergence, figure, Francis Bacon: The Logic of Sensation
Machinic Companions: Exploring Nonhuman Perceptions, Temporalities and Expressions
Elke Marhöfer
Scientific research needs objects and apparatuses for
investigations, but usually forgets them when it retrospectively
constructs objectivity. Karen Barad refers to this as a “quantum
entanglement” between the object and the “agencies of observation.”
In a guided screening of my film
prendas—ngangas—enquisos—machines (16 mm, Cuba, 2014), I
will trace how research tools are n...
read more
conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: Orpheus Institute, Auditorium
format: in words
practice: image
keywords: apparatus, ecology, film, Karen Barad, machinic phylum, technical objects