Durations of Knowing: Towards Attentive Anthropological Filmmaking

Mikhail Lylov, Elke Marhöfer

To elaborate a critique on the affiliation between anthropological filmmaking and the colonial projects of the West, we attempt to shift the attention from the conditions of representation to the questioning of the role representation plays in the techniques of power and domination. Our contribution will try to provide some examples that allow representation to be moved to a secondary position of...

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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: Orpheus Institute, Auditorium
format: in words
practice: image
keywords: anthropology, film, Henri Bergson, multiplicity, Roger Caillois

Art and Knowledge at the Interstices

Rahma Khazam

Mika Hannula (Hannula, Suoranta, and Vadén 2005) highlights the uncertainty surrounding artistic research: because its results are hard to evaluate, its contribution to scientific or academic knowledge remains questionable and problematic. This paper will draw on the work of Deleuze and Guattari to validate the notion of artistic research. It will deploy such concepts as “becoming,” “rhizom...

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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: De Bijloke Music Center, Mezzanine
format: in words
practice: image
keywords: artistic research, dramatisation, knowledge/knowing, Marcel Duchamp, Mika Hannula

The Third Milieu: Deleuze and the Universe of the Fixed Time-Space

Juan-Jose Guerra-Valiente

French composer Pierre Boulez first introduced the concepts of smooth and striated space-time in his musical oeuvre. Later, Deleuze and Guattari further developed these musical theories, applying them to a wide range of non-musical purposes throughout their philosophical works, particularly in the homonymous chapter (plateau) included in A Thousand Plateaus: Capitalism and Schizophrenia (...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Kraakhuis
format: in words
practice: image
keywords: diagram, milieu, Pierre Boulez, smooth/striated, Two Regimes of Madness

Duchamp’s Art Coefficient: The Dark Precursor at Work

Miguel González Virgen

The aim of this presentation is to introduce a definition of artistic research derived from the historical tradition of modern art. Further, it will show how Deleuze’s concept of the “dark precursor” is both a development and an affirmation of the metaphysics that underpins that tradition. Modern art metaphysics, first outlined by Nietzsche in The Birth of Tragedy, conceives the ar...

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conference: DARE 2015: the dark precursor
date: November 11, 2015
venue: Orpheus Institute, Penthouse
format: in words
practice: image
keywords: artistic research, Friedrich Nietzsche, Henri Matisse, Marcel Duchamp