Mobilising Deleuze: Thinking in Images and Sounds
Adreis Echzehn, Elfie Miklautz
Our presentation refers to the project “Other Spaces—Knowledge
through Art.” Funded by FWF Austrian Science Fund, the project
brought together artists and scientists, with their differing means
of approaching the world. Focusing on Deleuze’s notion that the
process of becoming is essential in thinking about philosophy, art,
and science, the means at our disposal were those that artists and...
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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Bibliotheek
format: in words
practice: image
keywords: music, science, video, What is Philosophy?
Digital Folds, or Cinema’s Automated Brain
Elena del Río
The digital etching of the film image brings forth what this image
already contains in a virtual state. It submits the linear,
discrete flow of space and time to a modulating wave that
reconstitutes this flow as a new entity. The digital thus gives new
birth to the cinema by extracting, intensifying, and thus
liberating certain qualities that were repressed or concealed under
the requirements of a...
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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: De Bijloke Music Center, Kraakhuis
format: in words
practice: image
keywords: Alfred Hitchcock, algorithm, film, modulation, Orson Wells
When Cinema Stills
Carlos Candela
Cinema and photography are forms of figurative expression based on
time. Cinema’s root is the register of movement and duration; the
capture of an instant and its continuity in time is the founding
principle of photography. When the constituent elements of cinema
and photography are placed in contact, the capacity of a film image
is revealed as a form that shows us time in its foundation. We wa...
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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Auditorium
format: in words
practice: image
keywords: Agnès Varda, crystal-image, film, José Luis Guerín, photography, time-image, Wim Wenders
Filmmaking and an Arts-Based Methodology of Intuition: Affect and the Virtual in Research and Pedagogy
Adrienne Boulton-Funke
Drawing on my arts-based educational doctoral research in 2015 with
two secondary visual art teacher candidate participants, Christen
and Kelsie, this session explores an emergent arts-based
methodology of intuition to provoke the conditions for new and
creative thought in both research and pedagogy. This presentation
will examine participants’ filmmaking and Deleuze and Guattari’s
concept of...
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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: Orpheus Institute, Concert Hall
format: in words
practice: image
keywords: education, film, Henri Bergson, intuition