Mobilising Deleuze: Thinking in Images and Sounds

Adreis Echzehn, Elfie Miklautz

Our presentation refers to the project “Other Spaces—Knowledge through Art.” Funded by FWF Austrian Science Fund, the project brought together artists and scientists, with their differing means of approaching the world. Focusing on Deleuze’s notion that the process of becoming is essential in thinking about philosophy, art, and science, the means at our disposal were those that artists and...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Bibliotheek
format: in words
practice: image
keywords: music, science, video, What is Philosophy?

Digital Folds, or Cinema’s Automated Brain

Elena del Río

The digital etching of the film image brings forth what this image already contains in a virtual state. It submits the linear, discrete flow of space and time to a modulating wave that reconstitutes this flow as a new entity. The digital thus gives new birth to the cinema by extracting, intensifying, and thus liberating certain qualities that were repressed or concealed under the requirements of a...

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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: De Bijloke Music Center, Kraakhuis
format: in words
practice: image
keywords: Alfred Hitchcock, algorithm, film, modulation, Orson Wells

When Cinema Stills

Carlos Candela

Cinema and photography are forms of figurative expression based on time. Cinema’s root is the register of movement and duration; the capture of an instant and its continuity in time is the founding principle of photography. When the constituent elements of cinema and photography are placed in contact, the capacity of a film image is revealed as a form that shows us time in its foundation. We wa...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Auditorium
format: in words
practice: image
keywords: Agnès Varda, crystal-image, film, José Luis Guerín, photography, time-image, Wim Wenders

Filmmaking and an Arts-Based Methodology of Intuition: Affect and the Virtual in Research and Pedagogy

Adrienne Boulton-Funke

Drawing on my arts-based educational doctoral research in 2015 with two secondary visual art teacher candidate participants, Christen and Kelsie, this session explores an emergent arts-based methodology of intuition to provoke the conditions for new and creative thought in both research and pedagogy. This presentation will examine participants’ filmmaking and Deleuze and Guattari’s concept of...

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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: Orpheus Institute, Concert Hall
format: in words
practice: image
keywords: education, film, Henri Bergson, intuition