Fluxus Affects of Indeterminacy: An Aleatory Point Between Art and Philosophy

Janae Sholtz

Deleuze is interested in exploring the dark night, the outside of thought. He addresses the emergence of thought itself, the event whereby sense is wrested from a mute, immanent field of sensibility: “that blind, acephalic, aphasic and aleatory original point which designates ‘the impossibility of thinking that is thought,’ that point where ‘powerlessness’ is transmuted into power” (De...

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conference: DARE 2015: the dark precursor
date: February 9, 2015
venue: De Bijloke Music Center, Mezzanine
format: in words
practice: performance
keywords: affect, Fluxus, music performance, performance art, resistance

Schizoproduction and Artistic Research

Tero Nauha

In my artistic research for my PhD at the Theatre Academy in the University of Arts, Helsinki, I have used the metamodel of schizoanalysis both in creating artistic works and in pedagogical contexts. Recently I have run extensive workshops around the topic “What is Real?” in the Theaterdiscounter in Berlin and MoKS artists’ centre in Mooste, Estonia, with the performance artist Karolina Kuci...

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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: De Bijloke Music Center, Rotonde
format: performed
practice: performance
keywords: artistic research, body, François Laruelle, Peter Pál Pelbart, schizoanalysis, schizoproduction

Journey into the Unknown: Romeo Castellucci’s Theatre of Signs

Oleg Lebedev

Fundamental doubts on the nature of representation constitute the essential theme of Romeo Castellucci’s work. The paper analyses how, through very specific scenic devices, Castellucci confronts spectators not only with the power of theatre but also with its tremendous darkness. Exposed to violent sensible impressions and pure vibrations (sounds, odours, ruptures of rhythm), the spectator is for...

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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: De Bijloke Music Center, Auditorium
format: in words
practice: performance
keywords: Antonin Artaud, Difference and Repetition, Proust and Signs, Romeo Castellucci, sign, theatre

Eco-Specificity: Performing the Heterogeneous Centre of the Ecological Imperative

Sozita Goudouna

Sites of performance, of exhibition, or display are revealed to be culturally specific situations that generate particular contexts, ethics, and narratives regarding art, art history, and society. Community involvement and the social division between the notions of the public and the private are strongly associated with the ethos that is generated during the performance of site- and eco-specific a...

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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: De Bijloke Music Center, Mezzanine
format: in words
practice: performance
keywords: A Thousand Plateaus, assemblage, refrain