Artistic Spatiotemporal Experiences After Gilles Deleuze, Alain Badiou and Brian Massumi: A Theory of Becoming

Liana Psarologaki

We are not in the world, we become the world by contemplating it.
— Deleuze and Guattari This paper addresses a parallel and intertwining duality of art and architecture as two fields of multiple non-binary systems, that enfold while “kissing,” according to Sylvia Lavin. It moreover establishes the production of this kiss as the ontological becoming of experiential space that is par...

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conference: DARE 2017: aberrant nuptials
date: November 22, 2017
venue: Orpheus Institute, Penthouse
format: on view
practice: space
keywords: actual, Alain Badiou, architecture, Brian Massumi

Garden of Small Nuptials

Elizabeth Presa

Accompanying the conference Aberrant Nuptials is an image of Bernini’s sculpture Daphne and Apollo, which famously depicts the moment when Daphne, fleeing Apollo, “launches down a line of flight” into strange and unnatural becomings. In the original sculpture in the Galleria Borghese, exquisitely carved forms appear to oscillate between the marble’s frozen translucence and the mov...

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conference: DARE 2017: aberrant nuptials
date: November 22, 2017
venue: Orpheus Institute, Penthouse
format: encounter
practice: space
keywords: colour, François Zourabichvili, Gian Lorenzo Bernini, resistance, stratum, transcendence

Mining the Aesthetico-Conceptual: Deleuze, Derrida and Artistic Research

Spencer Roberts

Despite their many political and philosophical allegiances, Deleuze and Derrida might— in accordance with Deleuze and Parnet’s dictum—be best described as the opposite of a couple. While their mutual hostility towards conceptual stasis, overly linear approaches to temporality and excessively centred notions of subjectivity targeted a number of common philosophical opponents, this apparent un...

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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Penthouse
format: in words
practice: space
keywords: artistic research, Jacques Derrida

How to Know: A Space

Marina Kassianidou

How to Know: A Space is an artist book I wrote in 2016. For DARE 2017, I propose to present an installation with printed excerpts from the book and to perform a reading. Specifically, actual copies of the book will be displayed in the Red Room at the Orpheus Institute. Conference participants will be able to read the text and look at the images throughout the conference. During the platea...

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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Auditorium
format: in words
practice: space
keywords: book
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