Outside Interior : ?Interior
Suzie Attiwill
An encounter between interior design and Deleuze has created
?interior—a stuttering that produces a pause between stimulus and
response to open an interior in an outside. Practising with Deleuze
as an interior design academic, curator, exhibition designer, and
writer, concepts of interior and interiority are challenged and
transformed. Deleuze’s claim to a hatred of interiority (“Letter to
a...
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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Auditorium
format: in words
practice: space
keywords: Michel Foucault, transcendence
Superfolding: The Accelerationist Nature of Cultural Evolution
Andrej Radman
The paper will argue that it is time for the discipline of
architecture to awaken from the slumber of anthropocentrism and
shake off the baggage of nature/nurture dichotomies. It will
propose that we drop anthropomorphism for geomorphism and
reconfigure ethology to become a theory of capacity. Rather than
localising it in individuals, behaviour is to be treated
epigenetically as a function of co...
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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Concert Hall
format: in words
practice: space
keywords: fold
Becoming Landscape: Constructing the House
Christoph Walter Pirker
In short, the being of sensation is not the flesh but the compound
of nonhuman forces of the cosmos, of man’s nonhuman becomings, and
of the ambiguous house that exchanges and adjusts them, makes them
whirl around like winds.
—Gilles Deleuze and Félix Guattari, What Is Philosophy? It
seems remarkable that in the great cosmic movement of sensation,
the mutual becoming of univ...
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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Concert Hall
format: performed
practice: space
keywords: apparatus, stratum
Music as Reservoir of Thought’s Materialization: Between ‘Metastasis’ and ‘Modulor’
Marianna Charitonidou
How can communication occur between architecture, music, and
mathematics? This presentation responds to this question taking as
a starting point the use of the “Modulor” system of proportion in
the composition and the notation of Iannis Xenakis’s
Metastasis, who was at once a composer, architect, and
mathematician and collaborated with Le Corbusier for the
architectural composition...
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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Concert Hall
format: in words
practice: music and sound
keywords: Iannis Xenakis, Le Corbusier, material/ism