Exhibition as Psychic Event: Interpretation Method as Delineating Imaginary Capacities

Jesper J. Alvaer

Extracted from the exhibition Competence at the Fotograf gallery, Praha (2015), in collaboration with Isabela Grosseová, “Exhibition as Psychic Event: Interpretation Method as Delineating Imaginary Capacities” is an artistic lecture in which a particular exhibition will be presented and discussed. The presentation will bring out aspects of the exhibition that served to produce a cert...

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conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: De Bijloke Music Center, Mezzanine
format: performed
practice: transversal
keywords: assemblage, virtual/virtuality

Proto-Objects

Michael Schwab, Séverine Ballon, Florian Dombois, Einar Torfi Einarsson, Miguel Figueira, Taslim Martin

For the installation Proto-Objects, Michael Schwab commissioned four independent collaborators to respond to his artistic analysis of his own brain activity. This was recorded as he was exposed to a succession of one hundred pictures, randomly chosen from the history of art (from 1420 to 1912). The initial EEG scan took place as part of the research project “Wissen im Selbstversuch/Know...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Bibliotheek
format: on view
practice: transversal
keywords: epistemic things, graphematic space, installation, technical objects, virtual/virtuality

When Ontologies Collide in Artistic Research

Clive Cazeaux

This is not a formal academic paper but a seminar offered as an occasion where artists and philosophers can discuss the relationship between Deleuze and examples of artistic research, with a view to identifying some of the openings and obstacles created by the relationship. I am a philosopher based in an art school (in Cardiff, Wales, UK) interested in the philosophy of artistic research. I am...

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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Foyer
format: coLab
practice: transversal
keywords: artistic research, sensation