And: Conjunction (2010, 14 min.). A new day is starting. While the city awakes, two clowns tell a story about a city and its people in an empty field without any population. Time passes away. Two men, two women seek for something lost . . . AND is neither one thing nor the other, it’s always in between, between two things; it’s the borderline, there’s always a border, a line of flight or flow, only we don’t see it, because it’s the least perceptible of things. And yet it’s along this line of flight that things come to pass, becomings evolve, revolutions take shape. (Gilles Deleuze, Cahiers du Cinema 271, November 1976)
The Four (2010, 8 min.). This short film tries to put into experience a combination of different planes of compositions—the ontological-mathematical logic of Hollis Frampton’s work (Zorns Lemma, 1970), William Burroughs’s cut-up method, and Georges Bataille’s scatological desire—across a theological and concrete field. Each part traces and repeats parts of Allah by Mansour Al-Hallaj. Hallaj is a symptom of heretical clashes in the middle-earth milieu, tortured and sacrificed by his society because of his (her)ethic(al) ideas about the relation between infinite and finite. An underground folk-rock singer recites the poem. This film is about the powers of chaos and the challenges with determined rational structures. In this experience every shot is one second.