The question of the dark precursor should not be mistaken as an instant in a chronological unfolding of events. In determining intensities “in advance but in reverse, as though intagliated” the dark precursor actually lacks a sense of empirical time and it lacks its article. It is not a mere “one” but a singularity—that is, an actual occasion beyond the measure of time while being in time. What if we conceive of the performative dislodged from a simplified sense of present while accounting for its power of instauration—its capacity for making present that which is in time but never of a mere present moment? With the participants of this Dialogue, we will explore different modes of untimely fabulation, a mode of thinking and literally invoking the in-act of performance across forms of creative practice in philosophy and art. Performance becomes the point of entry for negotiating a sensibility for ethico-aesthetic attunements toward emergence, without knowing in advance how a situation, a body, or relations will play out in their actualisation. The in-act of performance designates a thought and practice in the act of its very own fabulation—that is, of the coming Dialogue.
Christoph Brunner, chair