Peau/Pli: A Skype Performance and Its Metamorphoses

An actor reciting Deleuze and Anzieu and a dancer in a bubble. A delirium of words, electric signals, movements. Criticising and exploring connections, intercorporeality, and processes of embodiment.

The outside is not a fixed limit but a moving matter animated by peristaltic movements, folds, and foldings that together make up an inside: they are not something other than the outside, but precisely the inside of the outside (Deleuze 1993, 96–97).

In the performance PEAU/PLI the ubiquity of different media moistens the physical sensation of the participants. Enfolded by the noise of the data cloud, the “Skin-Ego” (Anzieu 1985) loses its contour, the boundary between the self and the environment is no longer clearly determined. Thousands of Deleuzian “folds” are to be experienced.

An actor performs texts by Anzieu and Deleuze in a former worker’s pub. He interacts via Skype and electric vibrations with a dancer in a plastic bubble, enfolding his “Skin-Ego” in the streets of the surrounding quarter. In the hyperlocal encounter of the interacting improvisation, dissonant presence experiences are evoked by the artists. The performance was folded again and again, for example, at gallery Schaufenster in Selestat (France), at Regionale 2014 and in the book Intercorporeal Splits (Fetzner and Dornberg 2015).

Which forms of artistic encounters and of collective forms of thought and affect arise in this performance and its metamorphoses? What kind of place, time, and body relationships emerge? Which roles play the technical, medial, and topological agents in the formation of the common intercorporealities and in the emergent socio-technological processes? How can the philosophy of Deleuze contribute to our understanding or/and influence these projects and the corresponding processes of artistic research, its methodologies, and its transdisciplinarity?

Web: pp.metaspace.de

References

Anzieu, Didier. 1985. Le Moi-Peau. Paris: Dunod.

Deleuze, Gilles. 1993. The Fold: Leibniz and the Baroque. Translated by Tom Conley. Minneapolis: University of Minnesota Press

Fetzner, Daniel, and Martin Dornberg, eds. 2015. Intercorporeal Splits: Künstlerische Forschung zur Medialität von Stimme, Haut, Rhythmus. Leipzig: Open House.