Nietzsche 6+1: The Weight of Music
Paulo de Assis, Michael Schwab
Between 1854 (when he was aged ten) and 1872,
Friedrich Nietzsche wrote a substantial number of musical
compositions, including fragmentary pieces for solo piano, several
songs, an uncompleted mass, and even a sketched opera. His activity
as a composer remains essentially unknown, and his music pieces are
rarely performed. A great admirer of Richard Wagner and profoundly
influenced by the though...
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conference: DARE 2017: aberrant nuptials
date: ongoing
format: on screen
practice: performance
DARE 2017 Opening Speech
Paulo de Assis
Artistic Research describes a particular mode of artistic practice
and of knowledge production, in which scholarly research and
artistic activity become inextricably intertwined. Questioning the
boundaries between art, academia, philosophy and science, artistic
research enables the exploration and generation of new modes of
thought and sensible experience. In the last two decades, artistic
resea...
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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Concert Hall
format: keynote
keywords: artistic research, assemblage, dark precursor, desire, Gian Lorenzo Bernini, metastability, nuptial
Untimely Variations. A Video Interview with Paulo de Assis
Paulo de Assis
A short video-interview to Paulo de Assis (Orpheus Institute, 20
September 2015) about
Deleuzabelli Variations #4. Chapters: Chronos 1:06
Differential repetitions 4:24 Resitence 5:24 Veränderungen
11:26 Thomas Heiber, interviewer; Gerhard Schabel, camera; Paolo
Giudici, editing....
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conference: DARE 2015: the dark precursor
date: November 9, 2015
venue: De Bijloke Music Center, Bibliotheek
format: on screen
practice: music and sound
keywords: chronos, difference, repetition, resistance, variation
Imaging the In-between: The Serial Art of Richard Tuttle
Laura Lake Smith
Since 1964, the American artist Richard Tuttle (b. 1941) has made
approximately three hundred disparate series in the mediums of
drawing, sculpture, printmaking, and painting. Although Tuttle’s
commitment to serial art is unrivaled within the postwar period,
his art has yet to be interpreted by scholars in conjunction with
the concept of seriality, perhaps because it so deliberately
confounds ou...
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conference: DARE 2015: the dark precursor
date: November 11, 2015
venue: Orpheus Institute, Penthouse
format: in words
practice: image
keywords: becoming, drawing, painting, printmaking, resistance, Richard Tuttle, sculpture, series