Dialogue II: On Visual Art or How Does Art Think?

Kamini Vellodi, Éric Alliez, Ian Buchanan, Marc Ngui, Anne Sauvagnargues, Peter Stamer

conference: DARE 2015: the dark precursor
date: November 10, 2015
venue: De Bijloke Music Center, Bibliotheek
format: dialogue
practice: image
keywords: Anne Sauvagnargues, diagram, ecology, film, schizoanalysis

abstract video about the author(s)

abstract

This dialogue brings together philosophers and artists to address issues at the core of Deleuze’s ontology of art. It will be oriented around the question of art’s contemporary work as a critical production of thought. This is a question that, explicitly or implicitly, connects all our speakers—from Eric Alliez’s notion of the diagrammatic regime of thought between art and philosophy that distinguishes itself from an aesthetic regime of forms, to Ian Buchanan’s desire to excavate the schizophrenic construct of the social from Deleuze and Guattari’s ontology of art, and Anne Sauvagnargues’s wish to articulate the Guattarian category of the ecological image as one capable of accounting for our digital transformation of contemporary art; from Peter Stamer’s construction of his cinematic idea of Deleuze, to Marc Ngui’s diagrammatic thought-drawings of A Thousand Plateaus. This question of art’s thought is one that traverses Deleuze and Guattari’s writings on art, distinguishing their position from any aestheticisation, formalisation, or historicisation, and forging a platform from which any privileged relation to the “visual” as a historically legitimated category is intensively problematised. How does the (visual) work of art think, and how can we in turn think this thought? How does this thinking illuminate the question of a singularly artistic research? Is this a question whose horizon is that of the contemporary and, if so, why? How can Deleuze and Guattari’s works revitalise the increasingly fraught status of the categories of image and visual?

Kamini Vellodi, chair

presentation

about the author(s)

Kamini Vellodi

Kamini Vellodi is an academic with a background crossing philosophy, art history, fine art, and visual culture, and a practising artist working mainly in painting. She is Lecturer in Contemporary Art Practice and Theory at Edinburgh College of Art, University of Edinburgh, and Honorary Lecturer at Exeter University. She completed her PhD in philosophy under the supervision of Peter Osborne and Eric Alliez. Her research focuses on the critical implications of Deleuze’s philosophy for art history, with a focus on early modern visual arts, and her work has appeared in publications including Art History, Parrhesia, Zeitschrift fur Kunstgeschichte, and Deleuze Studies. She is completing a monograph on Tintoretto and Deleuze’s philosophy of constructivism titled Tintoretto’s Difference: Deleuze’s Concept of the Diagram and the Problem of Art History (Bloomsbury Academic).

info & contact

affiliation

Edinburgh University, UK

email

k.vellodi [AT] ed.ac.uk

web

edinburgh.academia.edu

Éric Alliez

Éric Alliez (born 1957) is Professor Of Modern European Philosophy at Kingston University and at the University of Paris 8. His books include The Guattari Effect (2011), Capitalism and Schizophrenia and Consensus: Of Relational Aesthetics (2010), L’œil-cerveau (2007), La Pensée-Matisse (2005), The Signature of the World (2005), and Capital Times (preface by Gilles Deleuze, 1997) and Undoing the Image: Of Contemporary Art, vol. 1, Body Without Organs, Body Without Image, with Jean-Claude Bonne. Translated by Robin Mackay (Falmouth: Urbanomic, 2017).

info & contact

affiliation

Kingston University, UK, and University of Paris 8, FR

email

E.Alliez [AT] kingston.ac.uk

web

fass.kingston.ac.uk
philosophie.univ-paris8.fr

Ian Buchanan

Ian Buchanan is Professor of Cultural Studies at the University of Wollongong, Australia. He is the founding editor of the Deleuze Studies journal and the author of the Oxford Dictionary of Critical Theory, as well as the editor of four book series: Deleuze Connections (EUP), Critical Connections, Plateaus (EUP), and Deleuze Encounters (Continuum).

info & contact

affiliation

University of Wollongong, AU

email

ibuchana [AT] uow.edu.au

web

lha.uow.edu.au

Marc Ngui

Marc Ngui is a Toronto-based artist born in Georgetown, Guyana. His practice includes drawing, painting, animation, and installation. He also works as a cartoonist and has published two graphic novels, Enter Avariz (2002) and The Unexpurgated Tale of Lordie Jones (2005), and is currently working on a third. With Magda Wojtyra, Ngui is one half of the collaborative art project Happy Sleepy. Marc has exhibited work at the JR Ishinomaki Line Art Festival, Onagawa, Japan; Supermarket Art Fair 2013, Stockholm, Sweden; the Kitchener Waterloo Art Gallery, Kitchener; Fine and Dandy Gallery, Toronto; Doris McCarthy Gallery, Toronto; Open Space Gallery, Victoria; and the Toronto Comics Arts Festival.

info & contact

affiliation

Independent visual artist, Toronto, CA and Ciudad de México, MX

email

marc [AT] bumblenut.com

web

bumblenut.com
athousandplateaus-drawings.tumblr.com

Anne Sauvagnargues

Anne Sauvagnargues is Professor of Philosophy in the Department of Philosophy at the University of Paris Ouest Nanterre La Défense. A specialist in aesthetics and the philosophy of Gilles Deleuze, she co-directs the collection “Lignes d’art” with Fabienne Brugère for Presses Universitaires de France. She is the author of numerous works, including Deleuze and Art (Bloomsbury 2013), Artmachines: Deleuze, Guattari, Simondon (Edinburgh University Press 2016), and Deleuze: L’empirisme transcendental (Presses universitaires de France 2010, forthcoming with Edinburgh University Press).

info & contact

affiliation

University Paris Ouest Nanterre La Défense (Paris 10), FR

email

asauvagnargues [AT] gmail.com

web

u-paris10.fr

Peter Stamer

Peter Stamer (Berlin) works as a director, performer, mentor, and curator in the field of contemporary theatre and performance. During his theatre studies in the 1990s he worked as dance dramaturge at Nationaltheater Mannheim and in 2001 he was appointed curator for theory at Tanzquartier Vienna. Peter curated two editions of the festival Tanznacht Berlin in 2008 and 2010. Together with Silke Bake he conceived and curated the NU Performance Festival, Tallinn, in 2011 in the framework of Tallinn Cultural Capital 2011. Since 2008, he has regularly been invited to mentor in several European art education institutions. Peter’s recent theatre works include, among others, the performances For Your Eyes Only, The Waiting Room (with Diego Agullo), and the two-day theatre marathon The Circus of Life A–Z (with toxic dreams), which was presented in June 2015 at Tanzquartier Vienna. Together with collaborators including Silke Bake, he is developing the international building-performance project A Future Archeology for Berlin, Vienna, and Cairo. He is co-editor of How to collaborate?, which will be published in spring 2016. In November 2015, his theatre piece based on a landmark text by Nietzsche will be presented at Philosophy on Stage at Tanzquartier Vienna.

info & contact

affiliation

Independent theatre maker, Vienna, AT and Berlin, DE

email

peter.stamer [AT] gmx.at

web

peterstamer.com