Outlandish is a concert connected to Deleuze and artistic research in many ways, starting with the title, which as a synonym of “deterritorialised” refers to one of the mutual affects of philosophy and artistic practice that DARE 2015 proposes to explore. But more importantly, there are personal and material connections produced by Bernhard Lang’s Belgian premiere of The Tables are Turned (2010), Marc Ngui’s Drawings from A Thousand Plateaus (ongoing since 2004), and Juan Parra Cancino’s The Egg, which is both the electronic Dogon Egg he built and the new piece he will premiere.
Juan Parra Cancino, The Egg (2015), for live electronics, Juan Parra Cancino live electronics
about the author(s)
Juan Parra Cancino
Juan Parra Cancino (b. Chile, 1979) studied Composition at the Catholic University of Chile and Sonology at The Royal Conservatoire The Hague (NL), where he obtained his Masters degree with focus on composition and performance of electronic music. In 2014, Juan obtained his PhD degree from Leiden University with his thesis “Multiple Paths: Towards a Performance practice in Computer Music”.
As a guitar player he has participated in several courses of Guitar Craft, a school founded by Robert Fripp, becoming part of various related guitar ensembles such as the Berlin Guitar Ensemble, the Buenos Aires Guitar Ensemble, and until 2003, The League of Crafty Guitarists.
His compositions, which include pure electronic and electroacoustic mixed media with solo instruments and ensembles have been performed in Europe, Japan, North and South America in festivals such as the International Computer Music Conference (2006, New Orleans, 2008, Belfast, 2009, Montreal, 2013, Perth, 2014, Athens), Sound and Music in Computing (2009, Porto, 2010, Barcelona, 2011, Padova), “Primavera en La Habana” (Cuba) “Sonorities” (Belfast, UK), “Synthese” (Bourges), “Visiones Sonoras” (Mexico),”Sonoimagenes” (Buenos Aires), November Music (’s-Hertogenbosch), “Montevideo Percussion Festival”, “NWEAMO” (USA), “Rumor” (Utrecht), Musica Electronica Nova (Wroclaw), Aimaako (Santiago de Chile), among many others.
His acousmatic piece Serenata a Bruno obtained a special mention at the Bourges electroacoustic music competition of 2003 and in 2004, his piece Tellura was awarded with the residence prize of the same competition. It was recently edited in the album “50 years of Electroacoustic Music in Chile”, a release that obtained the 2008 Quartz prize for best compilation.
His is a founder and active member of The Electronic Hammer, a computer and percussion music ensemble devoted to the promotion, creation and diffusion of the music of the XXI century, whose debut album was edited by the EMF label; he also performs in WireGriot, a duo of voice and electronics that seeks to (re)construct the repertoire for the media.
His work in the field of live electronic music has made him recipient of numerous grants from the Dutch government, through the NFPK and Prins Bernhard Cultuurfonds. The recognition for his work has given him the chance to participate in projects and give lectures in centers such as CCRMA (Stanford University, USA), Oberlin College (USA) Banff Center for the Arts (CA), Tokyo University of the Arts (JP), Republic University (Uruguay), Leuenburg Studios (Germany), Walter Maas Huis (NL), and to be composer in residence at the Centre for Composers (Gotland, Sweden) and University of North Texas (Denton, USA), among others.
Since 2009 Juan has been appointed as a joint researcher of the Orpheus Institute to work on the topics of creativity and performance applied to electronic music.
info & contact
Orpheus Institute, Ghent, BE
juan.parra [AT] orpheusinstituut.be