Outlandish is a concert connected to Deleuze and artistic research in many ways, starting with the title, which as a synonym of “deterritorialised” refers to one of the mutual affects of philosophy and artistic practice that DARE 2015 proposes to explore. But more importantly, there are personal and material connections produced by Bernhard Lang’s Belgian premiere of The Tables are Turned (2010), Marc Ngui’s Drawings from A Thousand Plateaus (ongoing since 2004), and Juan Parra C.’s The Egg, which is both the electronic Dogon Egg he built and the new piece he will premiere.
Fausto Romitelli, Trash TV Trance (2002) for electric guitar, Lucia D’Errico, electric guitar
about the author(s)
Lucia D’Errico is an artist devoted to experimental music, performing on acoustic and electric guitar, bass guitar, oud, and several other plucked string instruments. As a performer and improviser, she collaborates with contemporary music groups and with theatre, dance, and visual art companies. She studied classical guitar at Conservatorio B. Marcello in Venice and modern languages at Università Ca’ Foscari in Venice. Currently, she is undertaking doctoral research (ME21 at Orpheus Institute Ghent, docARTES programme at Leuven University) on recomposing Baroque music. She is also active as a freelance graphic designer.