Fukushima Mon Amour : Unnatural Nuptial or Unnatural Participation in Guattarian Ecosophy

Toshiya Ueno

This paper belongs to my project that grapples with comparative theoretical analysis between Félix Guattari’s ecosophy (a philosophy of ecology or virtual ecology) and post- war Japanese literature or thought. My incipient attempt deals with Japanese novel The Woman in the Dunes (1962) by Abe Kobo and the film of the same title on which he collaborated (1964). (Abe was a friend of Guat...

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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Auditorium
format: in words
practice: philosophy
keywords: Félix Guattari

The Philosopher as a Line: A Deleuzian Perspective on Drawing and ahe Mobile Image of Thought

Janae Sholtz

What is important for Deleuze about images, whether a painting, drawing, or any other form of artwork, is not that they are visual representations, but instead that they make visible, a point inspired by the art theory of Paul Klee, to which he often refers. The question is, what is it that they make visible? To address it, I will follow a rather circuitous path, taking my own line of tho...

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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Auditorium
format: in words
practice: philosophy
keywords: drawing

Reconceptualising the Deleuzian Artist: Intention in Art Practice

Niall Kennedy

This paper focuses almost entirely on Deleuze’s only book devoted to the visual arts, Francis Bacon: The Logic of Sensation. The question I set myself in the first half concerns the question that led Deleuze to the development of the concept of the “diagram”—in other words, how the artist succeeds in creating new work while existing in an environment already saturated with “old�...

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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Auditorium
format: in words
practice: philosophy
keywords: de/re-territorialisation

How to Know: A Space

Marina Kassianidou

How to Know: A Space is an artist book I wrote in 2016. For DARE 2017, I propose to present an installation with printed excerpts from the book and to perform a reading. Specifically, actual copies of the book will be displayed in the Red Room at the Orpheus Institute. Conference participants will be able to read the text and look at the images throughout the conference. During the platea...

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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Auditorium
format: in words
practice: space
keywords: book