Nomadic and Transverse Artistic Practices

Jean-Charles François

In the spirit of Deleuze and Guattari’s complexity of knots (rhizomes) as contrasted with linear, arborescent, or binary structures, this paper proposes to reflect on today’s artistic practices that can be classified as “nomadic and transverse.” For the authors of Mille Plateaux, concepts that are related to the ideas of nomadism and transversality tend to operate in relationship...

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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Concert Hall
format: in words
practice: transversal
keywords: de/re-territorialisation, improvisation, Michel Foucault

Music as Reservoir of Thought’s Materialization: Between ‘Metastasis’ and ‘Modulor’

Marianna Charitonidou

How can communication occur between architecture, music, and mathematics? This presentation responds to this question taking as a starting point the use of the “Modulor” system of proportion in the composition and the notation of Iannis Xenakis’s Metastasis, who was at once a composer, architect, and mathematician and collaborated with Le Corbusier for the architectural composition...

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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Concert Hall
format: in words
practice: music and sound
keywords: Iannis Xenakis, Le Corbusier, material/ism

The Time of the Encounter

Zsuzsa Baross

Of the three principal modalities for the creation of the new—the dark precursor (“so is the world born” [Deleuze]), the contemporary (a counter move against the forces of the present [Baross]), and the encounter as a becoming [Deleuze])—two, we know, correspond with distinct, discontinuous and heterogeneous, temporalities. The first passes in reverse, against the progression of time; in t...

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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Concert Hall
format: in words
practice: music and sound
keywords: becoming, encounter, noise, Philippe Manoury, Pierre Boulez, time

Thought Beyond Research

Kamini Vellodi

This paper explores the critical implications of Deleuze’s philosophy of thought for the notion of artistic research. This paper is in two parts. The first part considers the ways in which artistic research upholds a representational image of thought. While practices of artistic research involve diverse forms, it is arguable that the image of thought that is often presumed and evaluated assumes...

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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Concert Hall
format: keynote
keywords: Michel Foucault