In the Aberrant Event of Musical-Philosophical Thought
Steve Tromans
The event considered as non-actualised (indefinite) is lacking in
nothing. It suffices to put it in relation to its concomitants
…
— Gilles Deleuze, “Immanence: A Life” …improvisation has little or
nothing to do with communication and more to do with ensuring that
the channels of communication are kept open and alive.
— Gary Peters,...
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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Concert Hall
format: in absence
keywords: improvisation
‘Beautiful Like a Burning Bank’: Justice, Art, and the Poetics of the Street
George Sotiropoulos
The potentials of Deleuze’s thought for artistic theory and
practice have been recognised from early on. This owes much to the
fact that Deleuze himself wrote extensively on various artistic
fields as well as making artistic creation an organic part of his
philosophy, including the works that he co-authored with Felix
Guattari. On the other hand, Deleuze’s attitude towards justice was
much mor...
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conference: DARE 2017: aberrant nuptials
date: November 21, 2017
venue: Orpheus Institute, Concert Hall
format: in absence
keywords: aesthetics
The Munich Biennale for Music Theatre as a Form of Artistic Research
Brandon Farnsworth
The Munich Biennale for Music Theatre, founded in 1988, has long
served as an incubator for music theatre productions, gradually
building a contemporary repertoire. In 2014, composers Manos
Tsangaris and Daniel Ott together took over artistic directorship
of the Biennale. As became evident in their first iteration in
2016, they are producing a shift away from the linear mode of
musical production...
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conference: DARE 2017: aberrant nuptials
date: November 20, 2017
venue: Orpheus Institute, Penthouse
format: in absence
keywords: artistic research, de/re-territorialisation
Stops and Drops
David Cheeseman
I propose a multimedia, sculptural installation entitled Stops
and Drops. This work has already been exhibited in a different
format for solo exhibition, Slime Mould Logic, at Tintype
Gallery, London. This incarnation would involve a three channel
video projection alongside three oak, glass, and stainless steel
chain “assemblages.” The work takes its starting point from Ducha...
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conference: DARE 2017: aberrant nuptials
date: November 22, 2017
venue: Orpheus Institute, Penthouse
format: in absence